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Emi Eu: ‘We have to look at Southeast Asia as one market’ Ocula Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ Stephanie Bailey, Singapore

STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.

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New Delhi, Mumbai, Kolkata: Shows to See Ocula Report New Delhi, Mumbai, Kolkata: Shows to See Kanika Anand, New Delhi

With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.

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Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin

Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.

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b. 1974, United Kingdom

Shezad Dawood Ocula Magazine

EXPO Chicago Sets the Scene for 2020 Ocula Report EXPO Chicago Sets the Scene for 2020 Stephanie Bailey, Chicago

'Where Will You Be in 1933?' was the official song of the 1933 Chicago World's Fair—a buoyant ditty written in 1932 to promote an exposition celebrating Chicago's centennial during the Great Depression. On 18 September 2019, it was performed at the Chicago Symphony Center as part of Samson Young: World Fair Music . The performance extended...

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Gwangju Biennale: Imagined Borders Ocula Report Gwangju Biennale: Imagined Borders Tessa Moldan, Gwangju

'I have felt persecuted for weeks by this same asphyxiating dream.' So narrates the forlorn Portuguese speaker in Kiluanji Kia Henda's film, Concrete Affection – Zopo Lady (2014), as city scenes and modernist buildings in Luanda flit past the camera's lens. The narration is pulled from Another Day of Life (1971), Polish writer Ryszard...

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