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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Sydney Lowdown: Exhibitions to See Ocula Report Sydney Lowdown: Exhibitions to See 6 Sep 2019 : Elyse Goldfinch for Ocula

The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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Shi Yong

b. 1983, China

Shi Yong is a representative figure of contemporary Chinese artists who first started working with installation and video media. Since 1993, his works have been widely exhibited both in China and abroad. His artworks cover a wide range of mediums including performance, video, and installation. Shi Yong's earliest artistic practices focused on revealing the subtlety of our reality and the inherent tension of the 'system'. At the end of the 1990s, Shi began focusing on the idea of Shanghai's transformations under the Chinese economic reform, which contributed to a discussion of globalisation and consumerism. Since 2006, with the piece Sorry, There will be no Documenta in 2007, he turned his attention to the art world that he's been involved in, pondering how to provide a more rational perspective through his creative works. Shi Yong's 2015 solo exhibition Let All Potential Be Internally Resolved Using Beautiful Form continues his art practice, disclosing his intention to expand the reflection and practice of 'control' under the seemingly 'abstract' future.

Shi Yong was born in Shanghai in 1963. He graduated from the Fine Arts Department of Shanghai Light Industrial School. He now resides and works in Shanghai. Shi Yong has been exhibited widely since the early 1990's. Recent shows include: Shi Yong: Under the Rule, ShanghART, Shanghai; Floating World, Bahrain (2017); Trace of Existence, UCCA, Beijing; The Crocodile in the Pond, Luzern (2016); Let All Potential be Internally Resolved using Beautiful Form (Solo Exhibition), MadeIn Gallery; Ural Industrial Biennial of Contemporary Art, Ekaterinburg; Essential Matters-Moving Images from China, Borusan Contemporary Perili Kosk, Istanbul, (2015); Hans van Dijk: 5000 Names, Ullens Center for Contemporary Art, Beijing; Witte de With Center for Contemporary Art, Rotterdam, the Netherlands; Off-Site Programme, Silent Film, Ikon Gallery, Birmingham (2014); Big Draft, Kunstmuseum Bern, Bern (2010); Think carefully, where have you been yesterday?, (Solo Exhibition) BizART, Shanghai (2007); Alllooksame/Tutttuguale?, Fondazione Sandretto Re Rebaudengo, Turin (2006); Second Guangzhou Triennale, Guangsong Museum of Art, Guangdong; Felicidad Indecible (Unspeakable Happiness), Museo Tamayo Arte Contemporáneo, Mexico City; Follow Me!, Mori Art Museum, Tokyo (2005); The Heaven, The World (Solo Exhibition), ShanghART Gallery, Shanghai (2004); XXV Biennale de Sao Paulo, Sao Paulo; Money and Value, The Last Taboo, Switzerland; 4th Shanghai Biennale, Shanghai Art Museum, Shanghai (2002); Unpacking Europe, Museum Boijmans Van Beuningen, Rotterdam; Living in Time, National galerie im Hamburger Bahnhof Museum fuer Gegenwartskunst, Berlin (2001); The Third Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane (1999); Art for Sale, Shanghai; Cities on the Move (1-6): Exhibition of Asian Art, Secession, Vienna; CAPC, Musee d' Art Contemporain, Bordeaux; PS1 Contemporary Art Center, New York; Louisiana Museum of Modern Art, Copenhagen; Hayward Gallery, London; Kiasma; Museum of Contemporary Art, Helsinki (1997- 1999); Two Attitudes Toward Identity 93, Gallery of Shanghai Huashan Art Vocational School, Shanghai (1993) etc.

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Featured Artworks

View All (11)
Under the Rule—Nr.A—13—18 规则之下—A—13—18 by Shi Yong contemporary artwork
Shi YongUnder the Rule—Nr.A—13—18 规则之下—A—13—18, 2017 Sketch paper; masking tape; coloured pencils; gouache
ShanghART
Untitled by Shi Yong contemporary artwork
Shi YongUntitled, 2008 B&w chromogenic print
120 x 165 x 7 cm
ShanghART
Resolve Everything Using Beautiful Form--00B by Shi Yong contemporary artwork
Shi YongResolve Everything Using Beautiful Form--00B, 2015 Aged wood, nitrocellulose lacquer, brushed stainless steel, aluminium alloy, screen print
25 x 240 x 7 cm
ShanghART
Resolve Everything Using Beautiful Form--00A by Shi Yong contemporary artwork
Shi YongResolve Everything Using Beautiful Form--00A, 2015 Pine, nitrocellulose lacquer, brushed stainless steel, aluminium strips, screen print
30 x 120 x 18 cm
ShanghART
Resolve Everything Using Beautiful Form - - 00C by Shi Yong contemporary artwork
Shi YongResolve Everything Using Beautiful Form - - 00C, 2015 Multi-layer board, Nitrolacquer, aluminium, stainless steel, neon lights & related components, aluminium strips, serigraph
240 x 18 x 9 cm
ShanghART
Resolve Everything Using Beautiful Form -- Psychedelic by Shi Yong contemporary artwork
Shi YongResolve Everything Using Beautiful Form -- Psychedelic, 2015 MDF, plywood, paint, aluminium, stainless steel sheet, silk screen
120 x 90 x 16.2 cm
ShanghART
The Moon Will Be Seen Tonight- Gallery Scenery No.1 by Shi Yong contemporary artwork
Shi YongThe Moon Will Be Seen Tonight- Gallery Scenery No.1, 2002 Colour Chromogenic Print
80 x 360 cm
ShanghART

Recent Exhibitions

View All (6)
Contemporary art exhibition, Group Exhibition, Summer Wind Flirts among Words 夏风惹来一堆字 at ShanghART, Shanghai
Closed
27 July–28 August 2019 Group Exhibition Summer Wind Flirts among Words 夏风惹来一堆字 ShanghART, Westbund, Shanghai
Contemporary art exhibition, Group exhibition, The Avant-Garde is Not Afraid of a Long March 前卫不怕远征难 at ShanghART, Singapore
Closed
16 February–28 April 2019 Group exhibition The Avant-Garde is Not Afraid of a Long March 前卫不怕远征难 ShanghART, Singapore
Contemporary art exhibition, Group exhibition, Side Lanes 辅路 at ShanghART, Shanghai
Closed
18 January–24 February 2019 Group exhibition Side Lanes 辅路 ShanghART, Westbund, Shanghai

Represented By

In Ocula Magazine

Sydney Lowdown: Exhibitions to See Ocula Report Sydney Lowdown: Exhibitions to See 6 Sep 2019 : Elyse Goldfinch for Ocula

The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...

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