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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Wong Ping: Hong Kong Fables Ocula Conversation Wong Ping: Hong Kong Fables

There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Suyoung Kim

b. 1971

Suyoung Kim's (김수영) paintings have predominantly focused on high-rise buildings, closing in on their facades over time to create works that scrutinise the geometric elements of architecture as well as broader conceptual frameworks. Kim's work often explores the boundaries between the figurative and the abstract while experimenting with the idea of representation.

Upon receiving her BFA from Seoul National University in 1994, Kim moved to Germany to study first at Hochschule für bildende Künste Braunschweig then at Kunstakademie Düsseldorf from where she graduated with an MFA in 2004. In her early works painted in Germany such as RWI Headquarters 2 and 3 (2002), the building is seen from a distance and with a reflection of a nearby structure in its glass facade. With a reduced palette of grey and white that blends the building with the light grey sky in the background, Kim captures the characteristics of her subject—vertical columns that seemingly penetrate the entire establishment and rows of small, rectangular windows—while emphasising the materiality of paint.

Around 2003, Kim shifted towards painting close-ups of the facades of buildings. Her subjects primarily comprised architecture in a style known as the modern or International Style, which developed in the 1920s and 1930s and was defined by the use of then-new materials of mass-produced iron and steel, reinforced concrete and glass. With an emphasis on the potential of its materials, International Style resonated with Kim's concerns for the properties of her medium of paint. Paintings from this period include Weissenhof House 1 (2003), depicting the renowned white facade of a 1972 project designed by Le Corbusier, Walter Gropius and Ludwig Mies van der Rohe, and Cité du Refuge (2004), based on Le Corbusier's first urban housing project. In both works, Kim replicates the repetitive elements of her subjects with a focus on their modern architectural system of standardised units and dimension, creating images that are increasingly flat, minimalist and grid-like rather than representational. Her attention to the formal structures of her subjects triggers associations with the typological photographs of industrial buildings by Bernd and Hilla Becher, who also studied at Kunstakademie Düsseldorf and founded the Düsseldorf School of Photography in the 1970s. Kim's interest in modern buildings continued after she relocated to Seoul in 2004, where she began painting the same building at different times of the day. In the close-up of the facade in Dongbu Insurance buildings 11am (2008), for example, each colour is sharply divided from the next whereas in Dongbu Insurance building midday (also 2008), the subject is seen farther away and its colours are less cleanly applied. The paintings are, however, recognisable as the same establishment by their distinctively shaped windows—square with rounded corners on the top—which Kim individualises by using different tonalities and details.

Over time, Kim has become even more focused on the formal elements of her painting than the subject itself, gradually removing representation from her oeuvre. In a painting titled Two Sides (2010), the canvas is divided into two planes of an unmodulated turquoise on the right and a grid-like facade of an anonymous building on the left. This is in stark contrast to The Headquarters Hankook Newspaper (2006), which features a similar composition but hints at an identifiable subject. Kim further renders her works neutral by titling them in numbers such as Work No. 46 (2017) or Work No. 52 (2018), in which several facades are depicted in a row.

She has held solo exhibitions at ONE AND J. Gallery, Seoul (2013, 2011, 2008); Kumho Museum of Art Seoul (2007); Alternative Space LOOP, Seoul (2004) and Galerie Ricarda Fox, Essen-Werden (2002) among others. Her work has also been exhibited at Seoul Museum of Art (2011); Busan Museum of Modern Art (2005); Space CAN Beijing (2014); and National Museum of Modern and Contemporary Art, Gwacheon (2003) among others, and is in the collections of SeMA; Asia Art Archive, Hong Kong; and Artist Pension Trust Collection, New York.

Kim lives and works in Seoul.

Lee Seolhui | Ocula | 2018
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Featured Artworks

View All (32)
Untitled by Suyoung Kim contemporary artwork
Suyoung KimUntitled, 2013 Oil on paper
45 x 38.8 cm
ONE AND J. Gallery
Untitled by Suyoung Kim contemporary artwork
Suyoung KimUntitled, 2013 Oil on paper
38.9 x 31.4 cm
ONE AND J. Gallery
Untitled by Suyoung Kim contemporary artwork
Suyoung KimUntitled, 2013 Oil on paper
38.9 x 23.1 cm
ONE AND J. Gallery
Untitled by Suyoung Kim contemporary artwork
Suyoung KimUntitled, 2013 Oil on paper
50 x 36.5 cm
ONE AND J. Gallery
Untitled by Suyoung Kim contemporary artwork
Suyoung KimUntitled, 2013 Oil on paper
25 x 34 cm
ONE AND J. Gallery
Work No. 37 by Suyoung Kim contemporary artwork
Suyoung KimWork No. 37, 2015 Oil on Linen
72.8 x 60.8 cm
ONE AND J. Gallery
Work No. 36 by Suyoung Kim contemporary artwork
Suyoung KimWork No. 36, 2015 Oil on Linen
85 x 75 cm
ONE AND J. Gallery
Work No. 41 by Suyoung Kim contemporary artwork
Suyoung KimWork No. 41, 2016 Oil on Canvas
60 x 91 cm
ONE AND J. Gallery

Current & Recent Exhibitions

Contemporary art exhibition, Bob Kil, Suyoung Kim, Nikki S. Lee, Seung Yul Oh, ONE ANG J. Gallery at Condo Shanghai 2019 at ONE AND J. Gallery, Seoul
Open Now
13 July–24 August 2019 Bob Kil, Suyoung Kim, Nikki S. Lee, Seung Yul Oh ONE ANG J. Gallery at Condo Shanghai 2019 ONE AND J. Gallery, Seoul
Contemporary art exhibition, Suyoung Kim, View & Hide at ONE AND J. Gallery, Seoul
Closed
6 October–11 November 2018 Suyoung Kim View & Hide ONE AND J. Gallery, Seoul
Contemporary art exhibition, Suyoung Kim, Landscape at ONE AND J. Gallery, Seoul
Closed
2–22 May 2013 Suyoung Kim Landscape ONE AND J. Gallery, Seoul

Represented By

In Ocula Magazine

Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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