THOMAS NADJIWARRA AMAGULA
1924-1989, AustraliaBark paintings from Groote Eylandt, which is known across the smaller Gulf islands as Ayangkwulyumuda (‘big island’), are distinguished by dense black grounds made from manganese ore, charcoal and, at times, dry-cell battery pigment, enlivened with flashes of red, yellow and white earth pigments. Across Groote Eylandt painting traditions, artists have also represented constellations including the Southern Cross, the Pointers and the Milky Way.
Amagula was not only a highly respected artist but also an influential cultural leader who played a significant role in protecting sacred sites following the discovery of manganese on Groote Eylandt in 1963, helping negotiate the establishment of the Groote Eylandt Aboriginal Trust. His works are held in major Australian collections including the National Gallery of Australia, Canberra; the National Gallery of Victoria, Melbourne; and Queensland Art Gallery | Gallery of Modern Art, Brisbane.
Text by Stephanie Martin. Courtesy D Lan Galleries
Explore and Follow Artists Shaping Contemporary Art
A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services