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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Tim Head

b. 1946, United Kingdom

Tim Head's work is about instability and uncertainty: of images, of perception and of the individual's relationship with the wider world. Over the past forty years he has developed a considerable body of work in an extraordinary range of media - including installations, photography, paintings and now digital media - guided and underpinned by a consistent set of concerns. His work represents an interrogation of contemporary reality.

Tim Head studied with Richard Hamilton at the University of Newcastle-upon-Tyne 1965-69 and then with Barry Flanagan at St Martin's in London 1969-70. In 1968 he spent a year in New York workingas assistant to Claes Oldenburg and meeting leading figures in theConceptual Art movement, including Robert Smithson and Sol Lewitt. In1971 he worked as an assistant to Robert Morris. Since 1971 Head hasbeen an influential teacher at both Goldsmiths and the Slade in London.

Head first came to prominence in the early 1970s with a series of ground-breaking installations at the Museum of Modern Art, Oxford (1972), the Whitechapel Art Gallery (1974) and participation in important group shows including the 8th Paris Biennale, Musee D'ArtModerne de la Ville de Paris (1973), Arte Inglese Oggi, Palazzo Reale, Milan (1976) and Documenta 6, Kassel (1977). Head represented Great Britain at the Venice Biennale in 1980.

Since the 1990s Head has developed an innovative and important body of work focussed on an exploration of digital space. This new work uses projections LCD displays and inkjet prints to articulate 'the digital medium's elusive material substance'.

Head has stripped back the screen image, the computer programme and the digital print to their ubiquitous basic constituents - the pixel, the coded instruction and the inkjet dot - and uses them to construct works that reveal the illusory quality of this digital dimension.

The work focuses on the digital medium's elusive material substance and on our evolving relationship to it as a physical entity. It uses the medium's physical characteristics that make it uniquely different from other media. Bypassing its usual role of representing images and texts, the work deals directly with its basic material elements - the luminous fabric of pixels on a screen or digital projection, the flurry of microscopic ink droplets laid down by the inkjet printer, and the hidden real time calculationsof the computer operating at ultra fast speeds that drive theseelements. The medium's underlying material substance is exposed, movingit out from its usual confinement in virtual space towards the samephysical space that we ourselves occupy.

The works that these processes produce are surprisingly beautiful, at once visually seductive and conceptually rigorous. Moreover, they represent a continuation of concerns that have preoccupied Head since his earliest exhibitions, an investigation of reality and perception. As Michael Bracewell recently wrote, 'The art of Tim Head has long made articulate the curious yet forcefully real schisms which exist between the techno-materiality of the modern world and our experience of its constitution.'

Tim Head has exhibited internationally since 1972. Notable solo exhibitions include the British Pavilion at the Venice Biennale (1980), ICA, London (1985), Whitechapel Art Gallery (1992), Kunstverein Frieburg (1995), Huddersfield Art Gallery (2009), Kettle's Yard, Cambridge (2010) and Modern Art Oxford (2013). Recent important group exhibitions include The Indiscipline of Painting, Tate St Ives, (2011), Signs of a Struggle: Photography in the Wake of Post Modernism, V&A, London (2011), the Lyon Biennale (2003) and Days Like These, Tate Britain, London (2003). Head's work is in important international collections including Tate, London, Arts Council Collection, London, British Museum, London and the Solomon R Guggenheim Museum, New York.

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Featured Artworks

View All (52)
Earth's Gravity 03 by Tim Head contemporary artwork
Tim HeadEarth's Gravity 03, 1981 Photographic collage
45 x 82 cm (incl frame)
Parafin
Study for Visa by Tim Head contemporary artwork
Tim HeadStudy for Visa, 1982 Hand-tinted photographic collage, unique
66 x 58 cm (incl frame)
Parafin
Study for Sauna by Tim Head contemporary artwork
Tim HeadStudy for Sauna, 1982 Hand-tinted photographic collage, unique
62 x 54 cm (incl frame)
Parafin
Study for Club by Tim Head contemporary artwork
Tim HeadStudy for Club, 1982 Hand-tinted photographic collage, unique
62 x 58 cm (incl frame)
Parafin
Motel by Tim Head contemporary artwork
Tim HeadMotel, 1982 Hand-tinted photographic collage, unique
62 x 58 cm (incl frame)
Parafin
Fortress by Tim Head contemporary artwork
Tim HeadFortress, 1982 Hand-tinted photographic collage, unique
74 x 64 cm (incl frame)
Parafin
Defence City by Tim Head contemporary artwork
Tim HeadDefence City, 1982 Hand-tinted photographic collage, unique
66 x 58 cm (incl frame)
Parafin
Fugitive Space 3 by Tim Head contemporary artwork
Tim HeadFugitive Space 3, 1982 Hand tinted photographic collage
33.2 x 48.2 cm
Parafin

Recent Exhibitions

Contemporary art exhibition, Tim Head, Beautiful Weapons at Parafin, London
Closed
28 September–18 November 2017 Tim Head Beautiful Weapons Parafin, London
Contemporary art exhibition, Group Exhibition, Transient Space at Parafin, London
Closed
21 July–16 September 2017 Group Exhibition Transient Space Parafin, London

Represented By

In Related Press

Transient Space review – tales of the city Related Press Transient Space review – tales of the city The Guardian : 13 August 2017

You are in a multistorey car park. You don’t know where your car is. It must be in one of the four corners, on one of the seven levels, by one of those numberless pillars. But they all look the same. You can’t leave without the car and you cannot find it in the concrete labyrinth. This is the modern city.The familiar scenario is brilliantly...

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