Dr Zena Elliott (Ngāti Awa, Te Whānau-ā-Apanui, Ngāti Rangitihi, Ngāi Te Rangi, Te Arawa, born Whakatāne, 1975) is a Waikato-based interdisciplinary Māori artist, researcher and educator whose painting, sculpture, whakairo, moving image and sound practice explores Indigenous futurism, gender fluidity and popular culture. In 2026, Elliot was announced to be one of the 2026 Parehuia artists in residence at McCahon House, one of Australasia’s most prestigious art residencies.
Raised in the Bay of Plenty and Waikato regions, Elliott has long drawn on whakapapa and kōrero tuku iho as foundations for a practice that moves between customary knowledge and contemporary image-making. Elliott studied at Wintec School of Media Arts, later completing doctoral research at Auckland University of Technology focused on Indigenous engineering, ecologies and speculative futures within contemporary art. Now based in Kirikiriroa Hamilton, Elliott teaches and mentors across secondary and tertiary contexts, positioning art education as an integral part of their practice.
Zena Elliott’s artworks combine fluorescent colour, optical pattern and carved or cut surfaces to create vibrating fields of light and structure that speak to kōwhaiwhai, street art and digital culture. Across painting, sculptural installation and moving image, Elliott brings together Indigenous cosmologies, queer and takatāpui perspectives, and references to science fiction and gaming to imagine alternate Māori futurities.
Since the mid-1990s Elliott has experimented with neon and glow-in-the-dark pigments, developing an abstract language of repeating motifs that riff on kōwhaiwhai, tukutuku and urban signage. Works such as the lithograph Frequency (2020), produced with Auckland Print Studio for Auckland Art Gallery Toi o Tāmaki, push this vocabulary into print, using layered geometric forms and saturated colour to create a sense of movement and sonic vibration.
Elliott’s sculptural and installation practice extends this interest in rhythm and repetition into three dimensions, often using chains, timber and industrial materials to explore power, protection and constraint. The award-winning painting featuring a chained rākau, which received the 2025 National Contemporary Art Award at Waikato Museum Te Whare Taonga o Waikato, exemplifies Elliott’s focus on colonial histories, land, and the resilience of marginalised communities.
Moving-image works produced with CIRCUIT Artist Moving Image Aotearoa New Zealand bring together performance, sound and digital effects, situating Māori bodies within speculative spaces shaped by technology, ecology and architecture. These projects often incorporate original soundscapes, extending the artist’s exploration of “visual noise” into aural form and framing each work as an immersive environment rather than a single static image.
Zena Elliott has been the subject of solo exhibitions and included in group exhibitions at galleries and museums across Aotearoa New Zealand. Below is a selection of important exhibitions.
Zena Elliott is a Māori interdisciplinary artist, researcher and educator from Aotearoa New Zealand whose work spans painting, sculpture, whakairo, moving image and sound, and is a 2026 McCahon House Parehuia artist in residence. Elliott’s practice engages with Indigenous futurism, gender fluidity, pop culture and kōwhaiwhai to create optically charged artworks that explore Māori identity in relation to technology, architecture and ecology.
Work by Zena Elliott can be seen in public collections such as Auckland Art Gallery Toi o Tāmaki and Waikato Museum Te Whare Taonga o Waikato, as well as in the CIRCUIT Artist Moving Image online catalogue. Elliott’s artworks also appear in exhibitions at galleries around Aotearoa New Zealand, including survey shows such as Toi Tū Toi Ora: Contemporary Māori Art.
Zena Elliott lives and works in Kirikiriroa Hamilton, Aotearoa New Zealand. This location informs the artist’s engagement with Waikato histories, landscapes and communities.
Zena Elliott’s first name is pronounced ‘ZEE-nuh’ and the surname is pronounced ‘ELL-ee-ott’. Together, the artist’s full name is pronounced ‘ZEE-nuh ELL-ee-ott’.
Ocula | 2026

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services