
Lee Ufan is considered a founding member of Mono-ha (School of Things), a loosely defined group of artists who worked in a shared sculptural idiom in Japan roughly between 1969 and ‘74. Formally similar to Postminimalism and Arte Povera in the West, Mono-ha artists juxtapose diverse materials in ways that emphasize their inherent properties and consider the spectator as yet another component of the artwork. Accordingly, rather than asserting or denying authorship over an object, in his early works Lee distributes forms across a system of material and physical relations, incorporating within them the viewer.
Opening in spring 2026 at Dia Beacon, this exhibition will enable visitors not only to encounter a conceptual dialogue between Lee’s paintings and sculptural works, but also to deepen their understanding of international contemporaneity of formal and conceptual concerns that developed across regions from the late 1960s to the ‘80s. Lee Ufan is curated by Matilde Guidelli-Guidi, curator and co–department head, with Min Sun Jeon, assistant curator. All exhibitions at Dia are made possible through the Economou Exhibition Fund.
Lee Ufan is a seminal figure in contemporary art, known for a rigorous yet meditative minimalism that rethinks how viewers encounter materials, space, and time. A leading theorist and artist of Japan’s Mono‑ha movement in the late 1960s, he also became a pivotal voice in Korean Dansaekhwa and has been the subject of major retrospectives in Europe, Asia, and the United States, including the landmark exhibition Lee Ufan: Marking Infinity at the Solomon R. Guggenheim Museum in New York in 2011.



DIA Beacon is a renowned contemporary art museum situated in Beacon, New York, on the banks of the Hudson River. Housed in a repurposed 1929 Nabisco box printing factory, its expansive galleries and minimalist architecture make it a destination for lovers of postwar art and industrial design.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services