
Over her five-decade-long career, Nengudi has realized a remarkable body of work that blurs the boundaries between sculpture and performance, fine art and ritual, individual authorship and collective energy. Made of everyday materials such as vinyl, water, nylon, sand, dry-cleaning bags, lint, paper, and tape, Nengudi’s installations are at once proxies for bodies and sites for performance. The works accommodate a variety of cultural references from African, Japanese, and South Asian rites to Western avant-garde art. The exhibition features early sculptural works alongside room-sized installations reconsidered specifically for the galleries at Dia Beacon.
Dia’s long-term exhibition of Nengudi’s work will be accompanied by a performance program and publication, revealing the multiplicity of her practice. Sculptures and room-sized installations from the years 1969 to 2020 will be on display at Dia Beacon including recent acquisitions in Dia’s permanent collection. Performances at Dia Beacon and partnering venues will activate and complement the sculptural presentation, and an artist’s book will collect, for the first time, Nengudi’s drawings, photographs, prints, poems, performance instructions, and other writings.




Senga Nengudi is an internationally celebrated artist whose installations, performances, and photographic artworks explore the threshold between material and the body in motion.




DIA Beacon is a renowned contemporary art museum situated in Beacon, New York, on the banks of the Hudson River. Housed in a repurposed 1929 Nabisco box printing factory, its expansive galleries and minimalist architecture make it a destination for lovers of postwar art and industrial design.

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