
Venture into a world of mystery through the artist’s awe-inspiring works at our major exhibition, featuring sculptures and paintings that provoke the senses.
One of the most influential artists of our time, Anish Kapoor returns to the Hayward Gallery, where he staged his first major UK survey almost 30 years ago.
Kapoor’s exhibition fills the entire gallery building with a series of immersive works, many of which press against the gallery walls and floors or descend from the ceiling to create an uncanny sensation of awe and wonder.
The exhibition features works from many of Kapoor’s most iconic series: flawless steel mirror sculptures that warp, distort and disorient; mysterious objects coated in Vantablack – the blackest known substance in the world – that mystify us with their extraordinary light-absorbing properties; and seemingly depthless voids opening within the gallery, drawing us in with a thrilling sense of vertigo.
The exhibition also introduces dramatic recent works: visceral paintings and sculptures that confront us with the fragility of human existence.
In addition, the artist presents several new works that appear to turn the world inside out and upside down, including a pair of monumental installations in the artist’s signature red.
Part of our 75th anniversary celebrations, the exhibition is curated by Ralph Rugoff, marking his final show as Director of the Hayward Gallery after 20 years in the role.
Over his decades-long career, Kapoor has become known for ambitious, large-scale works such as the breathtaking Sky Mirror and Chicago’s Cloud Gate (known as The Bean).


Anish Kapoor’s adventurous artistic practice explores the metaphysical. His paintings, mirrors and inventive sculptural forms—including enormous, site-specific pieces—consider ideas of absence and presence, the contained and the container, inviting the viewer into a disorienting, compelling world.



Hayward Gallery is a world-renowned contemporary art space in central London, housed within the Southbank Centre and known for its striking Brutalist architecture. Opened in 1968, it was designed under chief architect Norman Engleback with key contributions from Ron Herron, Warren Chalk, and John Attenborough of the Greater London Council’s Architecture Department. Today, it remains a dynamic venue for bold, large‑scale exhibitions of contemporary visual art, both inside the gallery and across the wider Southbank Centre site.
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