
Closely watched since the early 2000s, Chen Ke has made a career as a painter whose work evokes a social sensibility even as it speaks to the specific dreams and predicaments of individuals.
Her early work often depicted cartoonish young girls, ambivalent avatars for the artist and her generation, raised in an ever-expanding consumer economy. In 2020, she debuted the ‘Bauhaus Gal’ series, filtering images of women from the photographic archives of the renowned German school and movement through her own feelings and memories.
For this exhibition she presents the most recent iteration of this ongoing project, including nearly twenty canvases which imagine and envision the female heroes of this bygone utopian moment. The poignancy of these works is heightened by the context of UCCA and Factory 798, spaces originally designed in the 1950s by a state institute in Dessau, the East German city that was home to the Bauhaus’s final iteration. Chen Ke deepens this connection with the inclusion of archival materials and site-specific elements. The exhibition is curated by UCCA Director Philip Tinari.
Blending childhood nostalgia with historical memory, Chinese artist Chen Ke is known for her poignant, figurative paintings that fuse contemporary art with personal storytelling and pop-cultural references.



UCCA Center for Contemporary Art is China’s leading contemporary art institution. Committed to the belief that art can deepen lives and transcend boundaries, UCCA presents a wide range of exhibitions, public programs, and research initiatives to a public of more than one million visitors each year. UCCA Beijing sits at the heart of the 798 Art District, occupying 10,000 square meters of factory chambers built in 1957 and regenerated in 2019 by OMA. UCCA Dune, designed by Open Architecture, lies beneath the sand in the seaside enclave of Aranya in Beidaihe.

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