‘Never a More Important Moment’: London's Jewish Museum to Reopen

Jewish Museum London’s new chief executive, Charles Ross, told Ocula that the interim public exhibition space, opening later this month, will be a place to share “really important stories” about Jewish communities in the UK.
Never a More Important Moment Londons Jewish Museum to Reopen

Benjamin Senior Godines, Triptych, 1679. The painting offers a Jewish interpretation of the vanitas tradition: a European genre of moral symbolism. Courtesy of Londo

‘Never a More Important Moment’: London's Jewish Museum to Reopen
By Philippa Kelly – 15 June 2026, London

Following almost three years without a permanent home, Jewish Museum London has announced plans to open an interim public exhibition space in the capital later this week. 

The modest venue, titled Two Rooms by Jewish Museum London, is a stepping stone towards a more secure future for the institution and its collection, which includes around 35,000 artworks and objects related to Jewish social history. While not a permanent solution for the institution, the relaunch does come at an important time for Jewish communities both across the UK and further afield.

“The museum’s mission is to tell the stories, to educate, to inform, to spark conversation or debate, but we can tell those stories in a way that nobody else really has the history, the collection or the ability to do,” Charles Ross, the museum’s newly appointed chief executive, told Ocula. “Education and having those conversations has surely got to be one of the most important tools in combating antisemitism, and so we play a role in that.”

Ross left a career in the commercial art world, most recently as managing director of Singapore’s Art SG, to join the museum. He arrived amid an ongoing surge in antisemitism across the UK, particularly in areas of London with large Jewish populations, and at a time of rising fear for many within the community. 

“I was offered the job formally before the terrible attacks in Manchester, before Bondi, or before anything else had happened,” he explained. “But it was still pretty bad. It’s been pretty bad for a number of years, and I just thought, never has there been, probably, a more important moment for a Jewish museum.”

Conversations around the recording and sharing of Jewish histories recently made headlines after the British Museum postponed an event on ancient Israel and Judah, citing fears around planned protests. Arguments surrounding the event have illustrated the importance of having a “dedicated space, a dedicated institution where these stories are told”, Ross said.

He continued: “It’s easier for the Jewish Museum to get on with those stories, because whereas the British Museum has got many, many people it’s got to keep happy, a dedicated Jewish museum can tell these stories without perhaps some of the complexities, and some of the challenges.”

The first Lyons’ tea shop, September 1894.

The first Lyons’ tea shop, September 1894. Courtesy of London Jewish Museum.

Two Rooms will open on 17 June at the JW3 building in north London with a pair of exhibitions: Legacy: The Story of the Jewish Family who Founded J Lyons and Fed Britain and Tree of Life: Stories from Jewish Museum London’s Collection. Both will focus on the histories of Jewish communities in Britain and on the contributions they have made to British life.

A future show, still in the development phase, will explore the contribution of British graphic designer Abram Games to the Festival of Britain, marking its 75th anniversary. The illustrator, who was named the Official War Poster Artist during the Second World War, is remembered for creating, in poster form, what would become a social record for the nation.

“They’re really important stories, but they’re not widely known,” Ross said. “From food to banking, from DNA to entertainers and politics, we’ve been part of society, we’ve been getting on, doing things, building things, creating things.”

The museum closed its previous location in north London in July 2023, citing rising costs and other financial challenges. While without a permanent space, the institution continued to lend objects from its collection and engage with young people through education outreach programmes. Now, however, there are hopes for a lasting home by 2030.

“Obviously it hasn’t been the easiest few years for the museum, but it’s quite a nice position to be in now, to be able to just have a go and see what people are interested in and see what resonates with them. That’s really where we are; we see this as a testing ground,” Ross said. “Ultimately, our mission is to be an outward-looking museum.”

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