At the second edition of Taipei Dangdai, western capital gestures towards Taipei's rising status in the global art world, while alluding to 'a token blessing from the West to Taiwanese society, which is known to have a strong collector base.'

'Asia Now is expanding and this year will welcome over 50 of the most prominent and cutting-edge galleries presenting over 250 established and emerging artists from China, Korea, Japan, Central and Southeast Asia, who push the boundaries of contemporary art.' –Asia Now, Paris (16–20 October 2019).

The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...

For those visiting during Art Basel in Hong Kong (29–31 March 2019), the smell of fresh paint may still be in the air at the latest heritage conservation project, The Mills, which opened on 16 March to encompass the Centre for Heritage, Arts and Textiles (CHAT), joining the ranks with ex-prison complex Tai Kwun, along with Eaton HK—a retro...

'Founded by Claude Fain and Alexandra Fain, ASIA NOW aims to present the new perspectives and issues for contemporary Asian art and its market: the value of its artists, its potential for development and its rising stars.' –Asia Now Paris (17–21 October 2018).

I'm very much a fan of the public institution. I think only the public institution can provide the long-term guarantee that it will continue to exist and it will be 'the' public memory.