
Alisan Fine Arts is proud to present a solo exhibition of recent paintings by Chinese ink painter Nan Qi, famed for his three-dimensional images comprised of his eponymous ‘Nan Qi dots’ and interpretations of Chinese cultural icons, including female soldiers, the red star, currency and mountain landscapes. In his previous exhibition at Art Basel Hong Kong (AFA, 2017), Nan Qi primarily experimented with the elevation of the digitally traded emoji into formal painting, playing with symbols of communication and their context. More recently he has returned his focus on the signature ‘haloed’ Nan Qi dot, using an eerie 3-D effect to recreate iconoclastic images of renminbi notes, stylised butterfly motifs, as well as traditional landscapes. Born in Yongkang, Zhejiang in 1960, Nan Qi was trained in classical landscape ink painting at the People’s Liberation Army Fine Arts Academy in Beijing. He is a member of Chinese Artists’ Association, and currently lives in Beijing.
Artist’s Statement:
I believe that contemporary ink paintings, within the context of ink, have unlimited possibilities for expansion and extension. I have researched ink painting for decades, and have synthesised the methods of ink accumulation and ink staining into a technique I call ‘haloed dots.’ In this exhibition, I bring my ‘haloed dots’ from the past to the present, giving them a new life in today’s contemporary environment and allowing the viewer a re-reading of classic tradition.
Nan Qi is famed for his three-dimensional images comprised of his eponymous ‘Nan Qi dots’ and interpretations of Chinese cultural icons, including female soldiers, the five-pointed red star, and multi-national bills. Nan Qi’s emoji works feature big thumbs, smileys, and roses that are part of our everyday lives. These works resemble Pop art at first glimpse but as you look more carefully the work begins to change from 2D to 3D. As in the artist’s own words, ‘Stare closely at the centre of the painting for two minutes. Relax yourself, clear your mind and then slowly move backward, you will experience the 3D effect of the painting.’ He is currently developing a new series of Chinese landscape paintings. Deriving inspiration from ancient masters including Guo Xi from the Song Dynasty and Huang Gongwang from the Yuan Dynasty, Nan Qi has contemporised the historical landscapes with the use of his 3-D dots, resulting in a monochrome, hazy vista that is at once both challenging and edgy.




Co-founded in the 1980s by Alice King, Alisan Fine Arts is Hong Kong’s longest-standing contemporary gallery, celebrated for its trailblazing promotion of Chinese contemporary art and New Ink art. The gallery has consistently championed artists from the Greater China region and Chinese diaspora, making an impact on cross-cultural dialogues and global appreciation of diverse artistic expressions.

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