JOAN WITEK

From early figurative woodcuts to shimmering rice‑paper drawings and atmospheric watercolours, Witek shows that black is anything but void. “Black is sophisticated and primitive, emotional and intellectual—it’s a colour everyone responds to,” she remarks. Indeed, after working at both the Brooklyn Museum and the Metropolitan Museum of Art in the department of African, Oceanic, and the Americas, Witek dedicated her career solely to the study of the colour black.

This exhibition showcases Witek’s recent rice‑paper works, where ink is absorbed on the topology of delicate, wrinkled sheets, creating a mesmerising dance of light and shadow. A selection of exceptional works from the 1995 Albee Suite—watercolours made during a residency at playwright Edward Albee’s Montauk retreat—offers a unique insight into Witek’s use of watercolour, translucent film and paper. These works evoke coastal horizons, ploughed fields and surfaces of tree bark, inviting the viewer to explore the depth of her artistic techniques.

Critics have long celebrated Witek’s ability to unlock the optical potential of black. The New York Times praised her 1980s works for their theological undertones, while Art in America wrote that her surfaces range from velvety depth to diaphanous lightness. Hyperallergic recently noted that her compositions buzz with subtle energy, rewarding patient viewing.