
Crèvecœur is pleased to present this summer an exhibition in the central café ofMontesquiou, a charming village perched on a hill in the southwest of France,facing the Pyrenees. Although the café is now closed, its owner still lives thereand occasionally opens it for friends. This group exhibition is set in this specificvenue, echoing the significance of the “café” or “bistro” in the history of art andthe collective imagination of artists.
While one might immediately think of 19th-century French painters such asManet, Caillebotte, Degas, and Renoir, the representation of cafés extends farbeyond this era. From their very beginnings, cafés have been meeting placespar excellence, where people exchange news and talk politics, where worlds aremade and remade. Over the years, they have become ubiquitous in our societyand have become indispensable meeting places, taking on multiple social andgenerational roles.
Cafés are thus conceived as an intermediary space between work and home,between public and private realms. It’s a place of refuge, of in-between time, ofaffinities, whether social or spatial
Crèvecœur was founded in 2009 by Axel Dibie and Alix Dionot-Morani in Paris. Since its creation, the gallery has been supporting French and international artists whose different practices and visual language explore the most forefront topics and relate to the world’s social and political context.

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