Ocula Conversation transmediale Artistic Director Kristoffer Gansing Looks Back Terence Sharpe, Berlin Since 2012, Kristoffer Gansing has worked as the artistic director of transmediale—a festival at the forefront of digital media and culture that analyses the current moment through self-reflection and anticipation of rapidly oscillating futures. Explorations into moving image, online culture, and the socio-political landscape of digital...
Ocula Report Taipei Lowdown: Shows to See Tessa Moldan, Taipei As Taipei Dangdai returns for its second edition between 17 and 19 January 2020 at the Nangang Exhibition Center, a selection of exhibitions across the city confirm Taipei as one of the region's most exciting art hubs. Yahon Chang: Cursive OUR Museum, National Taiwan University of Arts (NTUA), No. 59, Section 1, Daguan Road, Banqiao...
Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin Lada Nakonechna's solo exhibition, Images from abroad at Galerie EIGEN + ART (9 January–20 February 2020) ostensibly takes place on an end wall of the gallery. The wall bears markings hand-drawn in graphite that evoke shadows once cast by pictures, since removed, their fixtures also left in situ. Serving as a framework of variable...
Liu Ding was born in Changzhou Jiangsu Province, China. In 2001 the artists established Pink Studio, Nanjing.
Text courtesy Galerie Urs Meile.
Ocula Report Ocula Report: The Tenth Shanghai Biennale Sam Gaskin, Shanghai Biennials are inherently messy. Gathering hundreds of pieces by international artists working in different mediums creates an exponential number of echoes and dissonances. Their messiness differs, though, in kind and degree, as exemplified in recent Shanghai Biennales.
Related Press Liu Ding At Galerie Urs Meile 18 February 2014, Sue Wang for Cafa Art Info / 16 February 2014 Over the past two years, Beijing-based artist Liu Ding has been developing a form of art that he terms “soft performance.” The three artworks— I Simply Appear in the Company of… (2012), The Un-erasable (2012), and Almost Avant-Garde (2013)—employ three different ways of examining the relationship between artistic...
