
Galerie Urs Meile is pleased to present its first solo exhibition with Vietnamese artist Lêna Bùi (b. 1985). skin in my stomach introduces Bùi’s latest body of work, comprising a series of silk paintings, a handwoven carpet, and a video piece that coalesce into a murmuring, tactile, and visceral experience. Oscillating between concrete imagery and abstract painterly gestures, the works move beyond realist depictions of the body, exploring it instead as a vessel of both energy and time. Across varying media, the body manifests in both anatomical shapes and microscopic-like circulations, while time transcends layers of images, sound, and the viewer’s movement through the space.
This exploration of the body’s internal processes perhaps has informed the exhibition’s title. The artist finds grounding in ecologist David Abram’s concept of the body as “the locus of change”, for she believes that it is “the direct and only way to experience the world and a place to form or break connections”. Inspired by non-Western medicinal traditions, the stomach becomes a potent symbol - the seat of nurturing, intuition, and communication, acting as a nexus that bridges us with the external world. skin in my stomach invites us to embrace the intelligence residing within, where the boundaries between self and the world blur.
Lêna Bùi (b. 1985, Da Nang, Vietnam; currently lives and works in Saigon, Vietnam) received her BA in East Asian Studies from Wesleyan University, USA (2007), with one year in Doshisha University, Japan. As one of the leading Vietnamese artists of her generation, her works are both amusing anecdotes and in-depth articulations of the impact of rapid development on people’s relationship with nature and their surroundings. She reflects on ways that intangible aspects of life, such as faith, death and dreams, influence behaviour and perception. Her recent works respond to the fragmented nature of modern life and the sensing of a certain void, while trying to express a worldview that is not entirely human-centric. She often relies on drawing and video but is open to whatever medium she perceives as appropriate to a work.
Her work has been shown in solo, group exhibitions and screening programmes such as HEK (House of Electronic Arts), Basel, Switzerland (2025), Bangkok Art Biennale (2024), Delfina Foundation, London, UK (2023); Asian Film Archive Monograph, Singapore (2023); 2022 Jeju Biennale, the Asia Culture Center, South Korea (2022); Sharjah Art Foundation, UAE (2018); Sàn Art, Saigon, Vietnam (2012); The Factory Contemporary Art Center, Saigon, Vietnam (2016); Haus der Kulturen der Welt, Berlin, Germany (2017); and the Wellcome Collection, London, UK (2013).
Press release courtesy Galerie Urs Meile. Text: Lê Thuận Uyên.




A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services