Press Release

Printmaking introduces a new collaborative dimension to Taylor’s practice, which he likens to the relationship between a musician and producer. It also brings a different tempo and physicality to his aesthetic pursuits. In these prints, Taylor’s skill as a colourist is particularly evident; for instance, the same piercing self-portrait—present across three different works—shifts in meaning and nuance via the visceral impact of each version’s unique combination of colour and line. In ‘Fade to Black, I Did Not Pay the Electric Bill’ (2024), Taylor ultimately blocks out most of the colour, a technique he often employs in his paintings. By completely obscuring an entire scene or text, Taylor ensures that only he knows what remains hidden underneath. Similarly, in a private tribute on the back of a still life inspired by Beckmann and Manet, the artist lists names—of loved ones, of the printers at Paulson Fontaine and of familiars who have recently died—further highlighting the medium’s expressive potential.

About the artist

Henry Taylor lives and works in Los Angeles CA. In 2022, a major survey exhibition dedicated to the artist, ‘Henry Taylor: B Side,’ his largest to date, was exhibited at The Museum of Contemporary Art, Los Angeles CA and was then on view at the Whitney Museum of American Art, New York NY until 28 January 2024. Taylor’s work will be featured in group exhibitions this fall including ‘Flight into Egypt: Black Artists and Ancient Egypt, 1976– Now’ at The Metropolitan Museum of Art, New York NY, ‘The Time is Always Now: Artists Reframe the Black Figure’ at the Philadelphia Museum of Art, Philadelphia PA, and ‘World Without End: The George Washington Carver Project’ at the California African American Museum, Los Angeles CA. Taylor’s work is in prominent public collections including the Bourse de Commerce – Pinault Collection, Paris, France, Broad Museum, Los Angeles CA, Carnegie Museum of Art, Pittsburgh PA, The Fondation Louis Vuitton, Paris, France, Hammer Museum, Los Angeles CA, Hirshhorn Museum and Sculpture Garden, Washington DC, Institute of Contemporary Art, Boston MA, Los Angeles County Museum of Art, Los Angeles CA, The Metropolitan Museum of Art, New York NY, Museum of Contemporary Art, Los Angeles CA, Museum of Fine Art, Houston TX, Museum of Modern Art, New York NY, San Francisco Museum of Modern Art, San Francisco CA, The Studio Museum in Harlem, New York NY, and Whitney Museum of American Art, New York NY. In 2018, Taylor was the recipient of The Robert De Niro, Sr. Prize in 2018 for his outstanding achievements in painting. Taylor’s work was presented at the Whitney Biennial at the Whitney Museum of American Art, New York NY in 2017 and the 58th Venice Biennale, Venice, Italy in 2019.

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About the Artist

Henry Taylor’s imprint on the American cultural landscape comes from his disruption of tradition. While people figure prominently in Taylor’s work, he rejects the label of portraitist. Taylor’s chosen subjects are only one piece of the larger cultural narrative that they represent: his paintings reveal the forces at play, both individualistic and societal, that come to bear on his subject. The end result is not a mere idealised image, but a complete narrative of a person and his history. Taylor explains this pursuit of representational truth: ‘It’s about respect, because I respect these people. It’s a two-dimensional surface, but they are really three-dimensional beings.’[1]

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(1)
New York 443 West 18th Street
Hauser & Wirth
443 West 18th Street, New York, United States

Opening hours
Tuesday - Saturday
10am - 6pm
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