
kurimanzutto is honoured to present its first solo exhibition by the celebrated artist, poet, and activist John Giorno (1936 – 2019) at its New York gallery. Titled Jasmine Burn, this exhibition departs from Giorno’s long-standing relationship to Buddhist spirituality and explores the ways in which it informs his work. It features his series Perfect Flower Paintings, Black and White Poem Paintings, as well as rarely-seen early silkscreen prints from the 1970s. Also included is his well-known Dial-A-Poem, a phone line connecting listeners to the voices of hundreds of poets, musicians, and activists, alongside archival materials related to Giorno’s life as a Buddhist. On display in the gallery’s viewing room are works by two artist-peers: Rirkrit Tiravanija’s JG Reads (2008) a 10-hour film about Giorno, and a ‘target’ painting by Ugo Rondinone, Giorno’s long-time partner and husband. Giorno Poetry Systems (GPS), the nonprofit organization Giorno founded in 1965 that remains active today, will present a series of public events related to the exhibition in its iconic landmarked building at 222 Bowery. This exhibition is curated by GPS Director Anthony Huberman.
At the crossroads of poetry, visual art, music, and performance, John Giorno’s work targets a broad audience, redefining the capabilities of linguistic forms. Born in New York, where he lived his entire life, Giorno is recognized as a pioneer in the field of performance poetry and spoken word, as well as a major activist for AIDS awareness, LGBTQ+ rights, and anti-war struggles. Giorno’s relationships with artists such as Andy Warhol, Jasper Johns, and Robert Rauschenberg profoundly influenced his work and encouraged him to bring poetry off the printed page and into visual, musical, and political realms.

In November 2022, kurimanzutto opened a 6,500 square foot space at 516 West 20th Street in the Chelsea neighborhood of New York City. kurimanzutto in New York represents an extension of the original gallery in Mexico City: this reaffirms its mission to create new spaces and situations that will transmit the gallery’s spirit, where the artist is central to its existence. With this new project kurimanzutto seeks to establish even stronger connections to artists, institutions, and art professionals who have accompanied them across their evolution. It is a way to maintain and confirm their commitment to the development of the artistic current that lives and breathes in the city. The physical presence of kurimanzutto in New York will both invite and enable this type of happening.

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