'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...
On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...
Marked by the Dual Year of Mexico and Germany from April 2016 to May 2017, OMR is delighted to announce the solo exhibition In Mexiko of widely acclaimed German photographer Candida Höfer (Eberswalde, 1944). Studying at the Kunstakademie Düsseldorf under the tutelage of Bernd and Hilla Becher, Höfer has retained a methodical approach when photographing empty public spaces worldwide. Yet she does not consider herself to be an architectural photographer. In her words “an absent visitor is frequently the topic of conversation”.
Over the past forty years Höfer has photographed portraits of spaces inside numerous internationally recognisable venues, including the Louvre, The Uffizi Gallery, The Hermitage and Trinity College Library Dublin, amongst many others. Empty theatres, empty churches, empty libraries, empty palaces: each interior captured by Höfer spans various historical and cultural contexts. The artist produces these photographs by combining three separate perspectives of each space, using only long exposure and the existing light source. The effect is a rare combination of intimacy and scale, both public and private experience.
For the exhibition In Mexiko Höfer visited the country in October 2015, photographing several iconic buildings in the states of Jalisco, Guanajuato, Mexico City, Puebla, Oaxaca and the State of Mexico. The result is a series of photographs that will be exhibited across national and international institutions. With an initial selection shown at OMR, further works will be exhibited in April 2017 at San Ildefonso, followed by the Amparo Museum in 2018 and additional venues soon to be announced. As recently commented by the artist, in the large-format photographs “my greatest interest is the light, the spaces, the symme try and the variations… In the case of the smaller, newer works, I examine these elements but in a more abstract manner”. In this way the images are at once distinctively Mexican and universally recognisable: whether the Popocatépetl and Iztaccíhuatl volcanoes depicted on the stage curtain of the Palacio de las Bellas Artes by American luxury brand Tiffany; the Orozco Mural at Hospicio Cabañas or the quietness of a dimly lit, empty space.
Parallel to the exhibition, a publication will be produced with two editions: one edited in Spanish and English, the other in German and Spanish. Including a wider selection of images including informal snapshots from Höfer´s time in Mexico, each is accompanied by a text written by José N. Iturriaga. Candida Höfer will be present for the opening of In Mexiko and during Gallery Weekend, appearing in conversation with Itala Schmelz at the Tamayo Museum on 24th September.
This project has been developed by Galería OMR with the support of the National Institute of the Arts, the National Institute of Anthropology and History, UBS, in collaboration with the Goethe Institute of Mexico, Año Dual Mexico-Alemania and Gallery Weekend.
Höfer participated in documenta 11 and represented Germany in the 50th Venice Biennale with Martin Kippenberger. Recent international exhibitions include Candida Höfer. Memory, The State Hermitage Museum and On Methods. Three Shadows Photography Art Centre, Beijing. Her work is held in the collections of Tate Modern, el Centro Georges Pompidou de París, El Museo Reina Sofía de Madrid, la Kunsthalle Basel, el MoMA de Nueva York, la Power Plant de Toronto amongst others.
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