
“In 2023, for an exhibition entitled ‘À toi de faire ma mignonne’, I took over Picasso museum.
The project Catalogue raisonné de l’inachevé occupied the top floor.
I began by listing all the projects I had completed since the start of my career—taking stock of my professional life.
Then I asked myself: What happens, when life ends, to the ideas that remain dormant—languishing in drawers, boxes...and coffins?
So I decided to inventory and analyze the sketches, the attempts, the abandonments.
To give life to intentions. To finish the unfinished.
However, either there was too much to read on the first three floors or the museum was about to close—but some visitors never made it to the fourth floor.
That’s why I wanted to organize a catch-up session at Perrotin Paris.” Sophie Calle
Born in 1953 in Paris, Sophie Calle is a French artist who has exhibited extensively throughout the world since the late 1970s. She has been described as a conceptual artist, a photographer, a movie director or even detective; but has developed a practice that is instantly recognisable for a distinct narrative and the frequent combination of images with text. Each of these projects can be seen as another chapter in a vast overall system of references and echoes where Calle often blurs the boundaries between the intimate and the public, reality and fiction, art and life. Since the late 1970s, Sophie Calle has merged image and narration. Her work methodically organises an unveiling of reality–her own and that of others, while allocating a controlled part of this reality to chance.
Emmanuel Perrotin founded his first gallery in 1989 at the age of 21. He has opened since then over 17 different spaces, with the aim of continuing to offer increasingly vibrant and creative environments to experience artists work. He has worked closely with his roster of artists, some since more than 25 years, to help fulfil their ambitious dreams and projects.

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