Renee So 's first institutional solo exhibition in Europe, Bellarmines and Bootlegs (8 March–2 June 2019) at the Henry Moore Institute in Leeds, centres on a long-standing motif in her work: the eponymous Bellarmine—a domestic jug used in the Rhineland in the 16th and 17th centuries to carry wine and beer from barrel to table. Following...

'Art Basel reinforces its ongoing commitment to showcasing exceptional art from Asia and the Asia Pacific, with over half of the participating galleries having exhibition spaces in the region. The main sector of the show features 196 of the world's leading galleries presenting the highest quality of painting, sculpture, drawings, installation,...

'Poems are like sentences that have taken their clothes off.' Marlene Dumas ' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life , the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019). Dumas' new series...

At 53, Belgian artist Wim Delvoye continues to employ the shock factor with abandon. Moving between the sacred and the profane, inflections of gothic drama and high technology imbue the artist's drawings, sculptures, and installations. He frequently swings from fine art to the decorative, applying Belgian ornamental elements such as coats of...

As far as art fair venues go, Sydney Contemporary (13–16 September 2018) has nailed it with Carriageworks, where the fair was once again staged. Formerly a rail yard and now a cultural centre, the space has retained its distinctive 19 th -century industrial details, and it offered a striking light-filled backdrop to the fair's crisp white...

'With a thriving contemporary art scene, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its leading commercial galleries, public institutions, private museums, festivals and Biennale. Defined by the vibrancy of its host city, Sydney Contemporary provides collectors,...

Australian artist Brook Andrew 's practice often finds inspiration in institutional archives, but his intentions go beyond the archaeological: he is not primarily interested in discovering or documenting the past, but in 'un-cementing' history's hold on events, people and beliefs, and in doing so, freeing the discussions taking place today from...

'The sixth edition of Art Basel in Hong Kong brought together a uniquely global mix of galleries spanning six continents, outstanding artworks by established and new artists from across theworld and a singular gathering of international collectors and institutions.' –Art Basel in Hong Kong (29–31 March 2018).

Since graduating from Queensland College of Art in 1982 and following her first solo exhibition at the Australian Centre for Photography, Sydney, in 1989, Tracey Moffatt has become one of Australia's most renowned contemporary artists. She first gained significant critical acclaim when her short experimental film Night Cries: A Rural Tragedy...

Yorkshire-born businessman Howard Bilton is the founder and chairman of the Sovereign Art Foundation, established in Hong Kong in 2003. The Foundation focuses on both recognising the abundance of artistic talent in Asia and bringing the benefits of art therapy and education to underprivileged children. In both endeavours, the Foundation...

Internationally renowned Australian artist Daniel Boyd recently presented his fifth solo exhibition with Sydney gallery, Roslyn Oxley9. The exhibition was entitled Far North (10 March – 2 April 2016). Boyd has long been drawing on references to science, anthropology, history and religion to reveal the complex way in which...

Following a breakthrough 2015 edition – which placed the Hong Kong show squarely in the center of Asia’s international art scene – the upcoming Art Basel in Hong Kong offers a premier platform for showing works from across the globe, more than half from Asia and Asia Pacific. The show provides an in-depth overview of the...

Art Basel Hong Kong has started early this year. I don’t mean just the dates, which have been pushed forward from May to March. I mean inboxes are already flooded with invitations for previews and dinners taking place well ahead of the March 22 VIP preview. There are more events, more exhibitions, and certainly more collectors descending...

Australian curator Alexie Glass-Kantor has held a range of senior roles in independent art centres across the country. These include Gertrude Contemporary and the Australian Centre for the Moving Image, both in Melbourne. Currently, Glass-Kantor divides her time between working as executive director of Artspace, Sydney, one of Australia’s...

When Silence Falls
 Art Gallery of New South Wales, Sydney 
19 December 2015 - 1 May 2016 Currently showing in the contemporary galleries of the Art Gallery of New South Wales, When Silence Falls is a collection-based, group exhibition curated by AGNSW curator of Aboriginal and Torres Strait Islander art, Cara Pinchbeck....

Having held the dual role of co-directors of Brisbane’s Institute of Modern Art (IMA) for almost two years, Aileen Burns and Johan Lundh have shaken up the city’s contemporary art landscape. The unprecedented formulation of a joint vocation of director and curator shared between two people saw two outsiders hailing from Canada and...

Since the late 1980s the major concern for curatorial practice has been the rise of biennale culture; the impact this exhibition format has had upon both the production and reception of contemporary art internationally. Reflecting on this lineage and recent politics from within the Asia-Pacific region, it is apparent that exhibitions such as...

A marble bench sat out of the front of the Pearl Lam Galleries stand at the Sydney Contemporary art fair last week. Inscribed with Chinese characters, and without a card stating the artist or artwork title, many visitors simply passed it by. Those who could read the inscription, and those who asked, found out it said: Don’t put too...

There’s no question, art fairs these days attract a lot of focus. But it’s also fascinating the way they can ignite a city and become a focal point for all sorts of art activity. This week, Sydney Contemporary presents work from over 90 Australian and international galleries at Carriageworks in the inner city. Fair director Barry...

Working closely with City Gallery Wellington curator Aaron Lister, the New Zealand photographer Fiona Pardington has developed a retrospective that speaks to the extraordinary breadth of her practice. Fiona Pardington: A Beautiful Hesitation includes very early family portraits from the 1980s alongside her well-known photographs of objects...

Currently on show at Roslyn Oxley9 Gallery in Sydney, Zero Concerto is Jim Lambie’s first commercial solo exhibition in Australia. Although Australians are no stranger to this acclaimed Glaswegian’s work, as he has previously created variations of his signature floor installation, ZOBOP,  for both the Australian Centre for...

On the 120th anniversary of its inaugural exhibition in 1895, Nigerian-born curator, Okwui Enwezor, has this year directed the 56th iteration of the Venice Biennale. Titled  All The World’s Futures , the exhibition is centred on re-articulating the politics of representation in the wake of colonialism. Since the nineties, the spike...

Fiona Hall represented Australia at the 56th Venice Biennale. Hall first emerged in the 1970s as a photographer, but during the 1980s moved to using a diverse range of art forms. Her ever-growing repertoire includes sculpture, painting, installation, video and garden design. The Adelaide-based artist is the sole artist exhibiting at the...

The students of the School of the Arts in Singapore (SOTA) recently watched in reverent silence as British artist and filmmaker, Isaac Julien played clips from his fifty-minute film,  Ten Thousand Waves (2010). The work is representative of the artist’s ability to seamlessly blend fractured narratives into poetic...