BRIAN ROCHEFORT

Rochefort’s sculptures are built up in a unique process of layering, wherein the initial form undergoes multiple firings. Between each firing, Rochefort airbrushes the works and applies glazes, many of which he has developed himself through extensive experimentation. This process pushes the technical limits of ceramics in pursuit of evocative, otherworldly new forms. As Rochefort states, “Some of the most successful pieces that I’ve done in the past have been works that I’ve built up too fast... but somehow I’ve managed to save the form, and it turns into a different monster.” Rochefort works intuitively to build a composition, not unlike an abstract painter, and cites artists such as Albert Oehlen, Joan Mitchell, Franz West, and even photographer Aaron Siskind as influences for their daring deployment of color and texture. Rochefort’s virtuosic control of his medium is tempered by the element of chance inherent to the process of firing the sculpture. In this way, the completed works are the result of a dynamic interplay between Rochefort’s highly developed technique, the distinctive character of each sculpture, and ultimately chance.

Rochefort is equally inspired by his travels to remote and untouched ecosystems, such as barrier reefs and rainforests. A vital form of inspiration for Rochefort, the rare and vibrant natural forms found in such locations are apparent in the works. As Rochefort describes, “It’s as if the piece came from outer space, was born that way, or it came from the depths of the ocean.” Rochefort’s intent, however, is not to directly represent the landscapes that he visits, a task he describes as “nearly impossible to do.” Instead, Rochefort’s sculptures take on the formal qualities of the landscapes through an almost volcanic layering of form upon form, colour upon colour, and texture upon texture, ultimately blooming into vivid, texturally sumptuous works. His larger freestanding works, which he refers to as Craters, evoke the fundamental quality of Rochefort’s sculptures: a powerful moment of contact with something deeply elemental and otherworldly.

Brian Rochefort holds a BFA from the Rhode Island School of Design, 2007 and he participated in the Lillian Fellowship Residency at the Archie Bray Foundation, 2009. Rochefort’s first solo museum exhibition, Absorption by the Sun, was exhibited at the Santa Barbara Museum of Art, CA, 2019. His work has been featured in museum exhibitions Artifices Inssables, Stories of Ceramics at Nouveau Musée National de Monaco, Monte Carlo, Monaco; Cool Clay at Crocker Art Museum, Sacramento, CA; Regarding George Ohr at Boca Raton Museum of Art, FL; and From Funk to Punk at Everson Museum of Art, NY. He lives and works in Los Angeles, California.