
ShanghART Singapore is delighted to present the solo exhibition of acclaimed abstract painter Ding Yi, Stars Crossed. This will be his second solo exhibition in the Singapore space since the 2015 exhibition here. Opening on 14 January 2022 to coincide with the Singapore Art Week, the exhibition continues through 13 March 2022.
This exhibition provides a rare opportunity for local audience to witness large-scale paintings of Ding Yi. Featuring two headliner works made 16 years apart among others, this presentation is a demonstration of both his perseverance to the symbols of crosses that he has come to be known for, and the evolution in his creative process.
Working with crosses since the late 1980s, the visually striking works are made using simple compositions and variations of + and x motifs. Originally inspired by his personal experiences working in a factory and the larger environment at that time, the same motifs have been a constant throughout Ding Yi’s career, yet also changing in various aspects, such as the use of colour, the techniques, and the medium. This corresponds to the changes in his perspectives as he navigated through the rapidly developing Shanghai in the 1990s. His subsequent explorations continued to follow his changing viewpoints as he zooms in and out of the mind, the society, and the world.
Drawing near and looking at the paintings up close, the crosses that form the overarching image are examined individually, each a result of the artist’s perseverance, experiences, reflection, and perception of the world around him. Together as a whole, the imagery tells a narrative of the artist’s practice and philosophy. Only by observing from both near and far, will one be able to experience Ding Yi’s works in their whole and unravel the multidimensional layers condensed in them.







DING Yi's signature takes the form of a cross that is repeatedly and carefully constructed across surfaces. With this minimalist visual rhetoric, painting is not about illusion and the representation of objects. Instead, DING Yi explores an abstract aesthetic through the systematic repetition and direct visual representation of the cross. Created by the layered intersection of vertical, horizontal and diagonal lines across the surface, the paintings encourage the process of perception. Viewed from a distance, everything gradually converges. But viewed up-close, the subtlety of lines and color are vibrantly present. The paintings simultaneously refer to themselves, as paintings per se, and to the reality around them that has only been distilled into grids and check pattern. Rather than creating a future reality, DING Yi proceeds from a preconceived reality. He has conceptually integrated the conditions of the work's production and reception within the work itself. The abstract realism of the paintings have, especially, become an analysis of their conditions of production: the repeated motif of the cross has been re-made again and again, indefinitely and continuously for 18 years now. In his visual structures, he seems to be aiming for a meticulous systematization of simplicity opposed to the bombastic rhetoric of the literati tradition. Thus his crosses on the surface have been described as the embodiment of a deliberate “diffusion of pictorial illiteracy.”
When ShanghArt Gallery opened its doors in Shanghai in 1996, it was one of the first contemporary art galleries in China. Today, the gallery operates from two spaces in the city (West Bund and Putuo District), with additional locations in Beijing and Singapore.
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