
Henni Alftan’s artistic practice is grounded in a profound exploration of the medium of painting, examining its methods and histories. Her intimately familiar yet intriguingly enigmatic portrayals of everyday life arise from a process of observation and deduction, resulting in precise and carefully cropped figurative works that embody a studied economy of means. By skillfully employing scale, perspective and texture, Alftan reveals the strangeness of the ordinary. Monika Sprüth and Philomene Magers are pleased to present a solo show during Berlin Art Week, featuring all-new paintings and the artist’s first-ever presentation of pastel drawings.


The work of Henni Alftan (*1979) stems from a deep engagement with the medium of painting, its methods and its histories, resulting in pictures of daily life that are intimately familiar and yet intriguingly unknowable. Born in Helsinki and based in Paris, the artist depicts everyday scenes and objects, often cropped or otherwise fragmented, each rendered with a studied economy of means. In spite of her pared-down aesthetic, Alftan’s experiments with color, texture, scale and perspective produce canvases rich in layered meanings that double as metaphors for seeing and comprehending the world through the physical properties of paint.




Sprüth Magers has expanded from its roots in Cologne (Germany) to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.

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