
STPI is pleased to present Jason Martin: Meta physical, an exhibition chronicling modes in which the dialectic between matter and creative intuition is perceived and processed through the artist’s personal language of abstraction. Through a rigorous experimentation in print and paper, Martin’s practice of abstract painting is reinvigorated by the processual nature of printmaking and the introduction of new material qualities.
In particular, the possibilities of embossed relief and paper casting have brought to Martin’s paintings a distinctive vocabulary of expression through a sustained exploration of line and gesture. The artist’s marks take on sweeping, continuous linearities in his drypoint compositions, while works of aquatint record drip-like traces. In his series of paper pulp paintings, textured images further occupy the space between the pictoriality of painting and the spatiality of sculpture.
Positioning himself at one with a set of conditions and moments afforded by the residency, Martin tempers chance and intention to generate varying expressions of surface texture on which the bodily is inferred, and the unconscious made perceptible.
British artist Jason Martin effects oscillations between sculpture and painting, with the vigour of action painting but a controlled hand. Drawing from abstract expressionism and minimalism, Martin makes paintings about paint – its materiality, sculptural presence and transformative, alchemical nature. He is perhaps best known for his monochromatic paintings, where layers of oil or acrylic gel are dragged across hard surfaces such as aluminium, stainless steel or Plexiglas with a fine, comb-like piece of metal or board in one movement, often repeated many times. Elsewhere, Martin does away with paint altogether in his wall-mounted casts of copper, bronze, and nickel, whose surfaces are unctuous but frozen. In pure pigment works, vivid colour is applied to moulded panels, whose baroque contortions appear like an extreme close-up of a painter’s palette. At STPI, Martin redirected his enduring spirit of experimentation to the medium of pulp and paper.
STPI is a workshop and a gallery that collaborates with the leading artists of our time to expand their practices through the mediums of print and paper.
A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services