
In Universe’s universe, Woo Kukwon unfolds a layered cosmos shaped by memory, myth, literature, and the act of painting itself. The exhibition’s title carries a dual meaning: it refers both to the artist’s daughter, Woojoo—whose name means ‘universe’ in Korean—and to the infinite imaginative and emotional worlds her presence inspires.
One day, Woojoo’s quiet fascination with a unicorn opened a new perceptual doorway for the artist. In her gaze, Woo encountered a world of intuition and longing that resists the confines of language—a realm that lies beyond reason. From this moment, a central question emerged: how might we sense and experience the world not through logic, but through feeling?
The exhibition unfolds across four conceptual axes.The first engages with the medieval tapestry The Lady and the Unicorn, reinterpreted through six contemporary paintings that explore the interplay between sensory symbolism and interior emotion.
The second axis, inspired by The Hunt of the Unicorn, presents the unicorn as a figure suspended between innocence and desire. In Woo’s hands, the mythical creature sheds its symbolic absolutism to become a gentle, hesitant, and subtly humorous reflection of human vulnerability.
The third, ‘Rye Field Series’, draws from literary figures such as Hemingway, Cervantes, Salinger, and Collodi. Rather than illustrating specific narratives, Woo translates their emotional undercurrents into visual form. A recurring girl and a schnauzer serve as intuitive guides, leading viewers through a landscape of memory and feeling.
Finally, the exhibition invites viewers to inhabit a cosmos that is both deeply personal and expansively universal—one that reflects the artist’s search for meaning through paint, story, and the quiet revelations of everyday life.







At first glance, Woo Kukwon’s canvas looks like a scene from a fairy tale. Colorfully painted child-like images and thick matiere is the most distinguishable features of his works. Anything that can create the texture as the artist intended, be it a brush, pencil, or finger, becomes a tool. However, if you look closely at the work, it is notperfectly light and cheerful. The liveliness felt in the first impression fades as one gazes at the details or the surrounding environment of the characters in the work, and the cynical sentences overlap, immersing the audience in thought. He leaves interpretation up to the audience, and as his nickname ‘Korean Basquiat’ suggests, he is now the most wanted artist by collectors following his every exhibition.




A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services