Simon Hantaï contradicted the negation of painting, instead liberating the support from a passive role to an active one, helping to push art forward by means of new processes in order to rethink the act of painting. In 1960, inspired by Jackson Pollock and Henri Matisse, Hantaï initiated his ‘pliage’ or folded canvas method of working, an entirely new painting technique that dominated his entire career and creative output.
Hantaï enjoyed great success in France during his lifetime, culminating in his representing France at the Venice Biennale in 1982. Immediately following this however, Hantaï withdrew from the art world. In 2013 the Centre Pompidou, Paris, mounted a major retrospective of Hantaï’s career, which brought his significant artistic contribution to a new and responsive audience. In 2014 further retrospectives were staged in Europe–at the Ludwig Museum in Budapest and the Villa Medici in Rome.
Hantaï’s work is held in public and private collections internationally, including the Musée d’art moderne de la ville de Paris; Centre Pompidou, Paris; Museum of Modern Art, New York; and the Hirshhorn Museum and Sculpture Garden, Washington.
Simon Hantaï was born in Bia, near Budapest, in 1922. He emigrated to France in 1948, where he lived and worked until his death in 2008.
Courtesy Timothy Taylor

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