Press Release

Victoria Miro is delighted to present Yayoi Kusama‘s thirteenth solo exhibition with the gallery. This major presentation of new works features a dynamic installation of paintings from Kusama’s iconic ‘My Eternal Soul’ series, bronze pumpkins and painted soft sculptures.

Throughout her career, Yayoi Kusama has developed a unique and diverse body of work that, highly personal in nature, connects profoundly with global audiences. Continuing to address the twin themes of cosmic infinity and personal obsession, the works in this exhibition are testament to an artist at the height of her powers.

The ‘My Eternal Soul’ paintings on view in this exhibition introduce new and recent examples drawn from the artist’s highly celebrated, ongoing series, which she commenced in 2009. These works, at once bold and intensely detailed, and conveying extraordinary vitality, are joyfully improvisatory, fluid and highly instinctual. They abound with imagery including eyes, faces in profile, and other more indeterminate forms, including the dots with which the artist is synonymous, to offer impressions of worlds both abstract and figurative, microscopic and macroscopic.

A series of bronze pumpkins take a dynamic new form, their surfaces impressed with patterns of circles that create a sophisticated geometry. The pumpkin, or kabocha, with its dotted skin has, in various forms, been a recurring motif in Kusama’s art since the late 1940s. The artist’s family cultivated plant seeds in Matsumoto, and she was familiar with the kabocha squash in the fields that surrounded her childhood home. At around the same time, the artist first experienced hallucinations in which her surroundings were overtaken by a proliferating pattern that engulfed her field of vision. Explored across scales, colours and media, the pumpkin occupies a special place in her iconography. Each pumpkin has a distinct character, as if caught in a particular stage of growth. Arrangements of dots on their plump bodies and curving stems, meanwhile, seem as unique as fingerprints. Enchanted by their ‘charming and winsome’ forms, the artist has said it is the pumpkin’s air of ‘general unpretentiousness’ and ‘solid spiritual balance’ that appeals to her.

Soft sculptures have been a key tenet of Kusama’s oeuvre since the early 1960s, pre-empting many famous examples from that decade and inspiring many others subsequently. Writing about the genesis of this aspect of her practice Kusama explains, ‘From around 1961 something new appeared in the world of my art. It came to be known as “soft sculpture”. The nets I was painting had continued to proliferate until they had spread beyond the canvas to cover the tables, the floor, the chairs, and the walls. The result of the unlimited development of this obsessional art was that I was able to shed my painter’s skin and metamorphose into an environmental sculptor. I went on finding new ways to turn my obsessions into concrete forms.’

The sculptures on view are painted in the style that has come to characterise Kusama’s ‘My Eternal Soul’ paintings and incorporate their palette and aesthetic vocabulary of widely opened eyes, polka-dots, nets and organic shapes. While the freestanding sculptures appear as though Kusama’s images have been released from the canvases they are surrounded by and have organised themselves into three-dimensional forms, a further work, its organic forms contained within yet appearing almost to overflow from a number of wall-mounted boxes, accentuates a tension between containment and release.

About the artist

Born in Matsumoto City, Japan, in 1929, Yayoi Kusama lives and works in Tokyo. She is one of the world’s most celebrated artists. Over the past decade there have been museum exhibitions of Kusama’s work touring the world in North America, Japan, Korea, Singapore, China, Australia, Russia, Brazil, Argentina, Mexico, Chile, Spain, England, France, Denmark, Norway, Sweden and Finland. In 2016, Kusama received the Order of Culture, one of the highest honours bestowed by the Imperial Family. Kusama is the first woman to be honoured with the prestigious medal for drawings and sculptures.

KUSAMA: Cosmic Nature is currently on view at The New York Botanical Garden, Bronx, New York, until 31 October 2021. Yayoi Kusama: A Retrospective is at the Gropius Bau in Berlin from 23 April–15 August 2021. Yayoi Kusama: Infinity Mirror Rooms opens this spring at Tate Modern in London. Exhibitions of ‘My Eternal Soul’ paintings will be presented at David Zwirner, New York, on 17 June and Ota Fine Arts, Tokyo, on 19 June.

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Glenn Scott Wright on Kusama's Enduring Power Spotlight Glenn Scott Wright on Kusama's Enduring Power Victoria Miro’s co‑director Glenn Scott Wright shares unique insights into Yayoi Kusama’s ever‑increasing power in the global art world. Read the story
About the Artist

Over the course of her distinguished career, Yayoi Kusama has developed a practice, which, though it shares affiliations with Surrealism, Minimalism, Pop art, Eccentric Abstraction, the Zero and Nul movements, resists any singular classification. Born in Matsumoto City, Japan in 1929, she studied painting in Kyoto before moving to New York in the late 1950s, and by the mid-1960s had become well known in the avant-garde world for her provocative happenings and exhibitions. Since this time, Kusama’s extraordinary artistic endeavours have spanned painting, drawing, collage, sculpture, performance, film, printmaking, installation and environmental art as well as literature, fashion (most notably in her 2012 collaboration with Louis Vuitton) and product design.

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About the Gallery
Since Victoria Miro founded her eponymous gallery in Cork Street, Mayfair, in 1985, the gallery has grown to represent over 40 artists and estates. With a reputation for presenting ground-breaking artists from around the world, Victoria Miro has exhibition spaces in London and a further gallery space in Venice.

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