Press Release

Danh Vō‘s conceptual artworks and installations often draw upon elements of autobiography and collective experience to explore broader historical, social or political themes relating to migration, identification and authorial status. Born in 1975, the year that marked the end of the American Vietnam War, Vō‘s family became victims of the Cambodian-Vietnamese War that broke out immediately afterwards. They fled the country by boat when Vō was four years old; he has no memories of his early childhood in Vietnam. The vessel was rescued at sea by a Danish freighter, the nationality of which determined the fate of the refugees—the ramifications of this fortuitous encounter are reflected in the role that chance and coincidence continue to play in Vō‘s practice. His work frequently incorporates documents, photographs, found objects (with emotional or historical significance), lettering or appropriations of works by other artists or designers, which have accrued meaning over time, through transfer of ownership or shifting social or cultural contexts. He is particularly interested in the discrepancies between myth and reality, between the past and the present, and between the malleable identities and histories imposed on him by others as well as those that he creates for himself.

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About the Artist

Born in Vietnam and brought up in Denmark, Danh Vo’s conceptual artworks and installations often draw upon elements of personal lived experience (his own, the lives of his parents and other family members) to explore broader historical, social or political themes, particularly those relating to the history of Vietnam at the close of the twentieth century. Born in 1975, the year that marked the end of the American Vietnam War, Vo’s family became the victims of the Cambodian-Vietnamese War that broke out immediately afterwards. They fled the country in a homemade boat when Vo was four years old; he has no memories of his early childhood in Vietnam. The vessel was rescued at sea by a Danish freighter, the nationality of which determined the fate of the refugees – the ramifications of this random encounter are reflected in the role that chance and coincidence continue to play in Vo’s practice. Frequently comprised of documents, photographs, found objects (with emotional or historical significance), lettering or appropriations of works by other artists, Vo’s installations often address issues relating to identity and belonging, authorial status, ownership and the role of personal relationships. He is particularly interested in the discrepancies between myth and reality, between the past and the present, and between the identities and histories imposed upon him by others and those that he creates for himself.

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Also Exhibiting at Xavier Hufkens

About the Gallery
Xavier Hufkens is one of Europe’s leading galleries for contemporary art. Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video and installation-based work.

The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of the South Station (Midi) in Brussels. During the early years, the focus of the gallery was upon mid-career and emerging artists and the gallery is known for having introduced some of the most influential contemporary artists to Brussels at a time when they were still relatively unknown. British sculptor Antony Gormley, who is still affiliated with the gallery, Felix Gonzalez-Torres and Rosemarie Trockel all showed in Belgium for the first time with Xavier Hufkens (Gormley in 1987; Gonzalez-Torres in 1991 and Trockel in 1993).

In 1992, the gallery moved to a 19th-century townhouse at 6 rue Saint-Georges, close to the Avenue Louise. Completely renovated by Belgian architects Paul Robbrecht, Hilde Daem and Marie-José Van Hee, the house quickly gained a reputation for being not just one of the most beautiful contemporary art spaces in the Belgian capital, but also one of the most interesting. The expanded exhibition programme coincided with the additional representation of a number of established artists from Belgium and abroad, including Richard Artschwager, Thierry De Cordier and Jan Vercruysse. In 1997, Hufkens expanded the gallery further by annexing the adjacent building and a number of new artists joined the gallery, including Louise Bourgeois, Roni Horn and Thomas Houseago.

A second space in the same street, at 107 rue Saint-Georges, opened in spring 2013. Located in the Galerie Rivoli, a mixed-use commercial development from the 1970s, the new gallery space was designed by Swiss architect Harry Gugger, who was previously in partnership with Herzog and De Meuron. Slegten & Toegemann, Brussels, managed the project. A third space opened in spring 2020, located at 44 Rue Van Eyck, designed by architect Bernard Dubois.

An eclectic but very clear vision underpins all of the gallery’s activities: ‘The definition of the gallery was established from the start. The common thread, then and now, is quality over and above everything else, which I find more intellectually challenging than a forced definition. From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez-Torres when he was totally unknown. Today I still mix my work: I have no problem showing Malcolm Morley … alongside Robert Ryman, or Willem de Kooning.’ [Xavier Hufkens in The Art Newspaper, Issue 220, January 2011, published online: 20 January 2011]

Xavier Hufkens represents some thirty artists from different generations. He was part of the six-member selection committee for Art Basel during seven years and also participates in up to five international Arts Fairs annually. The gallery has partnerships with the estates of Louise Bourgeois, Willem de Kooning, Robert Mapplethorpe and Alice Neel.
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Brussels 6 rue St-Georges
Xavier Hufkens
6 rue St-Georges, St-Jorisstraat, Brussels, Belgium

Opening hours
Tuesday – Saturday
11am – 6pm
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