
Sarah Drinan says of her new body of work, “Becoming Somewhere Else explores the unruliness of the body — its gooey sensations, shifting desires, uncertainties, and encounters with the unknown. The figures in my work spill into uncomfortable spaces, often entangled and disfigured, shifting between restriction and expansion, resisting fixedness and definition.”
Drinan continues, “I’m also intrigued by the body as a site where the mythical and the everyday intersect — where the ordinary bodily acts of living, such as breathing, sensing, creating, eating, sleeping, and intimacy, can become moments of metamorphosis. ... Both the body and painting become sites of perpetual becoming and a space of uncertainty, where nothing is fixed, and where transformation unfolds, even within the confines of the everyday.”
Drinan’s paintings explore the complexities of the body — its vulnerability, desires, unease, resistance, and messiness. Drawing on her background in mental health occupational therapy and the rich history of figurative painting, she explores the body as a site of physical and emotional experience. Her fleshy compositions are inspired by a diverse image bank, including sketches, personal snapshots, internet archives, historical figurative art, digital media and modelling apps. Drinan’s paintings gesture towards a body rooted in sensation and transformation, reflecting on the fluidity of identity and the tension between constraint and liberation. The figures in Drinan’s paintings mutate and shift, refusing to settle into static forms. This is inspired by mythical shapeshifters from Irish folklore, such as the selkie, changelings, and the púca. Like these creatures, Drinan’s figures are always mutating, fluid, and ambiguous, reflecting the complexity of bodily experience.
Sarah Drinan (b. 1994, Australia) is a figurative painter whose work explores the complexities of the body — its vulnerability, desires, unease, resistance, and messiness. Drawing on her background in mental health occupational therapy and the rich history of figurative painting, Drinan explores the body as a site of physical and emotional experience, shaped by narratives, systems, and environments.


Ames Yavuz embraces its diverse cultural background through a strong international focus and perspective. The gallery’s vision is underpinned by robust curatorial practices that form the core of our program and foster intercultural discourse on a global scale.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
