Howard Hodgkin (1932—2017) was a highly respected British painter, whose abstract works were characterised by their vibrant, emotionally rich use of colour. As well as creating oil paintings on board, he had a parallel printmaking practice.
Gordon Howard Eliot Hodgkin was born in London in August 1932. He wanted to be an artist at a young age—between 1940—1943 he lived in Long Island with his mother and older sister and was further inspired by seeing works by Picasso and Matisse at MoMA. Back in England, Hodgkin was sent to Eton College but ran away twice, then Bryanston School, but ran away again. In 1949 he painted Memories, which depicts an aunt lying on the couch in the Long Island house. He attended Camberwell School of Arts and Crafts (1949—1950) and Bath Academy of Art, Corsham (1950—1954), where he later taught.
Howard Hodgkin was celebrated for his use of colour and gesture. Using board rather than canvas—“A firm surface won’t answer back,” he told the Guardian in 2016—, he painted right to the edge, often covering the frame. His artworks were rooted in memory, past experience and time—he is often quoted as having said: “I paint representational pictures of emotional situations.” The feeling with which his art was imbued is not rendered figuratively; it appears to the viewer through intense colours and sweeping or stabbing brushstrokes. His pictures often took years to complete.
Howard Hodgkin created prints for the 1984 Winter Olympics, the 2012 summer games in London and for Team GB for the 2016 Olympics. Welcome (also called Winter Sports) was commissioned for the official art portfolio for the Sarajevo games in 1984 and features a green tree/arrow motif on an orange background. Swimming (2012) was made with hand-pulled silkscreens in shades of blue, while The Road to Rio (2016) brought the blue, yellow and green of the Brazilian flag to life using 22 separate layers of colour.
Yes, Hodgkin married Julia Lane in 1955 and they had two sons. However, during the 1970s he came out as gay, and met his long-term partner Anthony Peattie in 1984.
No, although his contemporaries were part of the Euston Road School and the Pop Art movement. Hodgkin remained independent, and his work moved from figurative (he painted portraits of his fellow artists in his early career) to abstract.
Howard Hodgkin’s father worked for ICI and was a keen amateur horticulturalist; his mother was a botanical illustrator. But members of his wider family were well-known: his great, great-grandfather’s brother, Thomas Hodgkin, discovered Hodgkin’s lymphoma; his cousin Dorothy won the Nobel Prize for chemistry in 1964 and two other cousins were Margery Fry, the prison reformer, and Roger Fry, the painter and art critic.
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