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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Wong Ping: Hong Kong Fables Ocula Conversation Wong Ping: Hong Kong Fables

There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Adel Abdessemed

b. 1971, Algeria

Born in Constantine, Algeria, Adel Abdessemed has established himself as a prominent figure on the international contemporary art scene. Across a wide range of media, including drawing, video, photography, performance, and sculpture, he transforms everyday materials and images into unexpected and charged artistic declarations. Pulling freely from myriad sources—personal, social, and political—his visual language is simultaneously rich and direct, sensitive and controversial, radical and mundane. Abdessemed’s art addresses the underlying effects of globalized society on the individual, often using his own personal circumstances as a point of departure.

The artist attended the École des Beaux-Arts d’Alger, Algiers, and the École Nationale des Beaux-Arts de Lyon, France. In 2008, he joined David Zwirner Gallery, where he had his first American gallery solo exhibition, RIO, in 2009. Adel Abdessemed: Who’s afraid of the big bad wolf? marked his second solo show at the gallery in 2012.

A major survey of the artist’s work was on view at the Centre Georges Pompidou in Paris (October 3, 2012 – January 7, 2013). A special presentation was recently held at the Musée d’Unterlinden in Colmar, France, and it displayed Abdessemed’s Décor (2011-2012), four life-size sculptures of the crucified Jesus made entirely from razor wire, next to German Renaissance painter Matthias Grünewald’s Isenheim Altarpiece. Other notable solo exhibitions include the following venues: Parasol Unit Foundation for Contemporary Art, London; Ontario College of Art & Design, Toronto (both 2010); Fondazione Sandretto Re Rebaudengo, Turin (2009); MIT List Visual Arts Center, Cambridge, Massachusetts; San Francisco Art Institute (both 2008); P.S.1 Contemporary Art Center, Long Island City, New York (2007); and the Musée d’art Moderne et Contemporain, Geneva (2004).

The artist has participated in a number of important group exhibitions, including In Praise of Doubt, Punta della Dogana, Venice; Seeing is believing, KW Institute for Contemporary Art, Berlin (both 2011); Aichi Triennale 2010, Nagoya, Japan (2010); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi and Punta della Dogana, Venice; 10th Lyon Biennale, France; 10th Istanbul Biennial; 10th Havana Biennial (all 2009); 7th Gwangju Biennial, Gwangju, South Korea (2008); 52nd Venice Biennale (2007); Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo (2003); Yokohama Triennale (2001); and Manifesta 3, Ljubljana, Slovenia (2000).

His work is represented in prominent collections internationally, including the Centre Georges Pompidou, Paris; The Israel Museum, Jerusalem; Musée d’art moderne et contemporain, Geneva; Musée d’Art Moderne de la Ville de Paris; and the François Pinault Foundation, Venice. He lives and works in Paris.

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Featured Artworks

View All (21)
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
41 x 33.2 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
41 x 33.2 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
270 x 180 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
320 x 200 x 3.5 cm
Tang Contemporary Art

Recent Exhibitions

Contemporary art exhibition, Adel Abdessemed, Unlock 解锁 at Tang Contemporary Art, Hong Kong
Closed
23 March–22 April 2019 Adel Abdessemed Unlock 解锁 Tang Contemporary Art, Hong Kong

Represented By

In Ocula Magazine

Jens Faurschou Ocula Conversation Jens Faurschou Co-founder, Faurschou Foundation

When American artist Robert Rauschenberg opened his first and last gallery exhibition in China, (he died shortly thereafter), it was with Galleri Faurschou in Beijing, owned by Danish collectors Jens Faurschou, and his now former wife, Luise. Jens Faurschou took Ai Weiwei to see the show and the acclaimed Chinese artist, impressed by both the...

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In Related Press

Adel Abdessemed Raises Controversy In Qatar Related Press Adel Abdessemed Raises Controversy In Qatar Art Radar Asia / 08 November 2013 : 12 November 2013

From 6 October 2013 to 5 January 2014, Qatar’s Mathaf: Arab Museum of Modern Art is presenting ”L’âge d’or”, a solo exhibition by the Algerian artist Adel Abdessemed. Mathaf Director Abdellah Karroum acknowledged the ‘challenging’ nature of the show, with some of the works attracting derision from the...

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