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Jess Johnson: Worlds Within Worlds Ocula Conversation Jess Johnson: Worlds Within Worlds

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...

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Melati Suryodarmo: Performance Art as Trigger Ocula Conversation Melati Suryodarmo: Performance Art as Trigger

In 2012, Melati Suryodarmo opened Studio Plesungan in her native Surakarta, also known as Solo, the historic royal capital of the Mataram Empire of Java in Indonesia. Suryodarmo had returned to Indonesia from Germany, where she studied Butoh and choreography with Butoh dancer and choreographer Anzu Furukawa, time-based media with avantgarde...

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Lagos Biennial 2019: Stories from Africa’s most Populous City Ocula Report Lagos Biennial 2019: Stories from Africa’s most Populous City 15 Nov 2019 : Jareh Das for Ocula

Under the direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute of...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Adel Abdessemed

b. 1971, Algeria

Born in Constantine, Algeria, Adel Abdessemed has established himself as a prominent figure on the international contemporary art scene. Across a wide range of media, including drawing, video, photography, performance, and sculpture, he transforms everyday materials and images into unexpected and charged artistic declarations. Pulling freely from myriad sources—personal, social, and political—his visual language is simultaneously rich and direct, sensitive and controversial, radical and mundane. Abdessemed’s art addresses the underlying effects of globalized society on the individual, often using his own personal circumstances as a point of departure.

The artist attended the École des Beaux-Arts d’Alger, Algiers, and the École Nationale des Beaux-Arts de Lyon, France. In 2008, he joined David Zwirner Gallery, where he had his first American gallery solo exhibition, RIO, in 2009. Adel Abdessemed: Who’s afraid of the big bad wolf? marked his second solo show at the gallery in 2012.

A major survey of the artist’s work was on view at the Centre Georges Pompidou in Paris (October 3, 2012 – January 7, 2013). A special presentation was recently held at the Musée d’Unterlinden in Colmar, France, and it displayed Abdessemed’s Décor (2011-2012), four life-size sculptures of the crucified Jesus made entirely from razor wire, next to German Renaissance painter Matthias Grünewald’s Isenheim Altarpiece. Other notable solo exhibitions include the following venues: Parasol Unit Foundation for Contemporary Art, London; Ontario College of Art & Design, Toronto (both 2010); Fondazione Sandretto Re Rebaudengo, Turin (2009); MIT List Visual Arts Center, Cambridge, Massachusetts; San Francisco Art Institute (both 2008); P.S.1 Contemporary Art Center, Long Island City, New York (2007); and the Musée d’art Moderne et Contemporain, Geneva (2004).

The artist has participated in a number of important group exhibitions, including In Praise of Doubt, Punta della Dogana, Venice; Seeing is believing, KW Institute for Contemporary Art, Berlin (both 2011); Aichi Triennale 2010, Nagoya, Japan (2010); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi and Punta della Dogana, Venice; 10th Lyon Biennale, France; 10th Istanbul Biennial; 10th Havana Biennial (all 2009); 7th Gwangju Biennial, Gwangju, South Korea (2008); 52nd Venice Biennale (2007); Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo (2003); Yokohama Triennale (2001); and Manifesta 3, Ljubljana, Slovenia (2000).

His work is represented in prominent collections internationally, including the Centre Georges Pompidou, Paris; The Israel Museum, Jerusalem; Musée d’art moderne et contemporain, Geneva; Musée d’Art Moderne de la Ville de Paris; and the François Pinault Foundation, Venice. He lives and works in Paris.

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Featured Artworks

View All (18)
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
41 x 33.2 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
41 x 33.2 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
270 x 180 x 3.5 cm
Tang Contemporary Art
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018 Mixed media on canvas
320 x 200 x 3.5 cm
Tang Contemporary Art

Recent Exhibitions

Contemporary art exhibition, Adel Abdessemed, Unlock 解锁 at Tang Contemporary Art, Hong Kong
Closed
23 March–22 April 2019 Adel Abdessemed Unlock 解锁 Tang Contemporary Art, Hong Kong

In Ocula Magazine

Jens Faurschou Ocula Conversation Jens Faurschou Co-founder, Faurschou Foundation

When American artist Robert Rauschenberg opened his first and last gallery exhibition in China, (he died shortly thereafter), it was with Galleri Faurschou in Beijing, owned by Danish collectors Jens Faurschou, and his now former wife, Luise. Jens Faurschou took Ai Weiwei to see the show and the acclaimed Chinese artist, impressed by both the...

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In Related Press

Adel Abdessemed Raises Controversy In Qatar Related Press Adel Abdessemed Raises Controversy In Qatar Art Radar Asia / 08 November 2013 : 12 November 2013

From 6 October 2013 to 5 January 2014, Qatar’s Mathaf: Arab Museum of Modern Art is presenting ”L’âge d’or”, a solo exhibition by the Algerian artist Adel Abdessemed. Mathaf Director Abdellah Karroum acknowledged the ‘challenging’ nature of the show, with some of the works attracting derision from the...

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