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Taloi Havini: Reclaiming Space and History Latest Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Sydney Biennale Connects Here with Everywhere Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

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Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

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HomePage Artists

b. 1971, Algeria

Adel Abdessemed Biography

Born in Constantine, Algeria, Adel Abdessemed has established himself as a prominent figure on the international contemporary art scene. Across a wide range of media, including drawing, video, photography, performance, and sculpture, he transforms everyday materials and images into unexpected and charged artistic declarations. Pulling freely from myriad sources—personal, social, and political—his visual language is simultaneously rich and direct, sensitive and controversial, radical and mundane. Abdessemed’s art addresses the underlying effects of globalized society on the individual, often using his own personal circumstances as a point of departure.

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The artist attended the École des Beaux-Arts d’Alger, Algiers, and the École Nationale des Beaux-Arts de Lyon, France. In 2008, he joined David Zwirner Gallery, where he had his first American gallery solo exhibition, RIO, in 2009. Adel Abdessemed: Who’s afraid of the big bad wolf? marked his second solo show at the gallery in 2012.

A major survey of the artist’s work was on view at the Centre Georges Pompidou in Paris (October 3, 2012 – January 7, 2013). A special presentation was recently held at the Musée d’Unterlinden in Colmar, France, and it displayed Abdessemed’s Décor (2011-2012), four life-size sculptures of the crucified Jesus made entirely from razor wire, next to German Renaissance painter Matthias Grünewald’s Isenheim Altarpiece. Other notable solo exhibitions include the following venues: Parasol Unit Foundation for Contemporary Art, London; Ontario College of Art & Design, Toronto (both 2010); Fondazione Sandretto Re Rebaudengo, Turin (2009); MIT List Visual Arts Center, Cambridge, Massachusetts; San Francisco Art Institute (both 2008); P.S.1 Contemporary Art Center, Long Island City, New York (2007); and the Musée d’art Moderne et Contemporain, Geneva (2004).

The artist has participated in a number of important group exhibitions, including In Praise of Doubt, Punta della Dogana, Venice; Seeing is believing, KW Institute for Contemporary Art, Berlin (both 2011); Aichi Triennale 2010, Nagoya, Japan (2010); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi and Punta della Dogana, Venice; 10th Lyon Biennale, France; 10th Istanbul Biennial; 10th Havana Biennial (all 2009); 7th Gwangju Biennial, Gwangju, South Korea (2008); 52nd Venice Biennale (2007); Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo (2003); Yokohama Triennale (2001); and Manifesta 3, Ljubljana, Slovenia (2000).

His work is represented in prominent collections internationally, including the Centre Georges Pompidou, Paris; The Israel Museum, Jerusalem; Musée d’art moderne et contemporain, Geneva; Musée d’Art Moderne de la Ville de Paris; and the François Pinault Foundation, Venice. He lives and works in Paris.

Adel Abdessemed Featured Artworks

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Cocorico - Chinese Painting by Adel Abdessemed contemporary artwork
Adel AbdessemedCocorico - Chinese Painting, 2017–2018Recycled printed metal
130 x 180 x 4.5 cm
Tang Contemporary Art Enquire about this work
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018Mixed media on canvas
Tang Contemporary Art Enquire about this work
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018Mixed media on canvas
41 x 33.2 x 3.5 cm
Tang Contemporary Art Enquire about this work
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018Mixed media on canvas
41 x 33.2 x 3.5 cm
Tang Contemporary Art Enquire about this work
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art Enquire about this work
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art Enquire about this work
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018Mixed media on canvas
92 x 73.5 x 3.5 cm
Tang Contemporary Art Enquire about this work
Forbidden Colours by Adel Abdessemed contemporary artwork
Adel AbdessemedForbidden Colours, 2018Mixed media on canvas
270 x 180 x 3.5 cm
Tang Contemporary Art Enquire about this work

Adel Abdessemed Recent Exhibitions

Contemporary art exhibition, Adel Abdessemed, Unlock 解锁 at Tang Contemporary Art, Hong Kong
Closed
23 March–22 April 2019 Adel Abdessemed Unlock 解锁 Tang Contemporary Art, Hong Kong

Adel Abdessemed Represented By

Adel Abdessemed In Ocula Magazine

Jens Faurschou Ocula Conversation Jens Faurschou By Anna Dickie, New York

Instead of opening a gallery in New York where we would be just another gallery, I thought: let’s do it in Beijing where we can make a difference.

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Adel Abdessemed In Related Press

Adel Abdessemed Raises Controversy In Qatar Related Press Adel Abdessemed Raises Controversy In Qatar 12 November 2013, Art Radar Asia / 08 November 2013

From 6 October 2013 to 5 January 2014, Qatar’s Mathaf: Arab Museum of Modern Art is presenting ”L’âge d’or”, a solo exhibition by the Algerian artist Adel Abdessemed. Mathaf Director Abdellah Karroum acknowledged the ‘challenging’ nature of the show, with some of the works attracting derision from the...

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