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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Akira Takayama

b. 1969, Japan

Theatre director Akira Takayama creates projects that challenge the conventions of traditional theatre. Referring to this new theatrical platform as 'theatre 2.0', Takayama's projects expand and enrich the audience's experience through participation in performative events that treat entire cities as stages. In 2002 Takayama founded Port B, a project-specific theatre collective aimed at fostering collaborative relationships with artists and a diverse range of artistic interventions, including installations in urban space, experimental social projects, and performative tours and lectures.

Movement and migration are common themes throughout Takayama's artistic practice. For the 21st Biennale of Sydney Takayama presents at 4A Centre for Contemporary Asian Art Our Songs - Sydney Kabuki Project (2018), a single-channel video installation that documents a performative event that occurred at Sydney Town Hall's Centennial Hall on Sunday, 28 January 2018. Inspired by Kabuki Theatre, a 400-year-old form of Japanese theatre, Takayama invited residents of Sydney, people who have come from across Australia and around the world, to share their family stories and cultural traditions through song.

Congregating at Sydney Town Hall, participants were welcomed one by one to walk to the stage along a specially constructed hanamichi, a raised path that is a traditional element of Kabuki Theatre. Meaning 'the road of the flower', the hanamichi is both a means of entering and exiting the stage and an integral part of the performance. Upon reaching the stage, each person was asked to perform a song, poem or story passed down from their ancestors through generations and across geographies. Participants sang to a seemingly empty theatre, the red velvet seats left vacant for the ancestors of the participant or the future generations yet to come. Takayama developed the concept for the performance from the etymological connection between the Japanese word for song, uta, and the word uttae, which implies an appeal or a call to action. Created in collaboration with award-winning filmmaker Hikaru Fujii, Our Songs - Sydney Kabuki Project is both a documentary archive of oral and intangible histories and an artwork that brings together the individual voices that make up the social and cultural fabric of Sydney.

Tai Spruyt and Stephanie Berlangieri | Biennale of Sydney Exhibition Team | 2018
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In Ocula Magazine

Akira Takayama Ocula Conversation
In partnership with The 21st Biennale of Sydney
Akira Takayama Artist, Japan

There is something deeply evocative about the work of Akira Takayama. His endless fascination with the fabric of society, the creation of culture and the ebb and flow of communities drives a multi-disciplinary approach to the craft of devising theatre. For the viewer, an encounter with a Takayama work is intimate and personal.Throughout his...

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