Alex Katz’s bright, crisp portraits of American life may have emerged as a counterpoint to Abstract Expressionism, but the artist’s work—characterised by flat planes, solid lines and confident colour—not only anticipated Pop Art but outlived it.
Alex Katz was born in Brooklyn in 1927 and raised in Queens by his Russian-immigrant parents in a style that may today have been called “free-range parenting”. He attended Woodrow Wilson Vocational High School because it gave him the chance to study art every afternoon (the school also gave him an education in music, fashion and dance). In 1946 he applied for Cooper Union, the New York City art school that offered free tuition. He spent his time wandering the city drawing people. On a scholarship to Skowhegan School of Painting and Sculpture in Maine, he painted landscapes outdoors for the first time, developing a faster painting style.
Alex Katz captures modern American life through his figurative portraits, landscapes, cut-out sculptures and large-scale public artworks. Flat planes of colour, an economy of line and carefully thought-out brushstrokes characterise his practice.
Katz was inspired by his figurative painting contemporaries, such as Fairfield Porter and Larry Rivers, as well as Modern artists including Henri Matisse, Henri Rousseau and Edward Hopper and 18th-century Japanese artist Kitagawa Utamaro. However, he also took inspiration from his social circle, notably poets Frank O’Hara, Edwin Denby and John Ashbery from the New York School.
Yes, he regularly buys work by emerging artists and donates them to institutions via his foundation. He has gifted more than 700 paintings, particularly to museums and galleries in Maine. Speaking in 2024, he said: “I had a horrible time coming up. The years from 25 to 35 are hard. So I thought: give someone encouragement. Take a painting and give it to a museum that’ll show it.”
Katz’s cut-outs began by chance: in 1959, he wanted to remove a background he wasn’t keen on, so cut out the central figure from the painting and mounted it on plywood, which he hung on the wall. His practice evolved into making freestanding pieces, painted directly on to metal and with a distinct front and back.
Katz emerged on to the art scene when Abstract Expressionism was fashionable; his figurative depictions of people and real-world objects bucked the trend, but he also took inspiration from the scale of billboards and Cinemascope movies to increase the size of his paintings. “It was an open door,” he said in 2009. “No one was doing representational painting on a large scale.”
Katz begins with a small oil sketch of a subject, which he paints on to high-density fibreboard (“masonite board” in the USA). He then makes a small, detailed charcoal or pencil drawing, which he blows up into a “cartoon” and pricks tiny perforations in it. He transfers this to the large canvas using a technique called “pouncing”, where powdered pigment is pushed through the perforations. He pre-mixes his colours and then paints, sometimes in single sessions so that wet mixes with wet, which gives the blended paints a luminous quality.
Ocula

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services