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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Joël Andrianomearisoa

b. 1977, Madagascar

Andrianomearisoa is always on the edges. He does not approach his work in a direct way, but places it at the edges of the desires of whomever discovers it. His work comes down to a question of posture. He listens to the pulses of life with more generosity than they are given, and finds a way to be present in the world dans le nu de la vie, in the nude of life.

Urban space is a primary interest as well. The noises, smells, images, lights and incessant movement that generate city life compose his universe without imprisoning him in a specific geographical space. His images take viewers to places even the artist does not expect to be. "I need to be surprised by images. The situation has to be completely staggered. I do not consider myself as a photographer ; I am someone who makes images" he says.

To compose a work, the artist needs a basic frame. Then the experiments begin, the manipulations that outline the project. 'The work arises from various manipulations that lead me to the final result. When I set up an installation, I do not imagine its finality. I know the elements that compose it, but in the intant I set them up I discover something else. And that is when the work makes sense,' Andrianomearisoa says. His poetic virtuosity lies in his capacity to seize this moment of signification, when nobody can tell beginning from end.

Virginie Andriamirado

Joël Andrianomearisoa was born in Antananarivo, Madagascar, in 1977. He lives and works between Antananarivo and Paris. Andrianomearisoa has participated in a number of group shows, including Africa Remix, Rencontres Africaine de la Photographie in Bamako, 2009; the Havana Biennale (2006); The progress of love, Menil Collection, Houston, 2012; and Divine Comedy, 2014 among others.

His solo shows include Bir Gece, a one-night performance and installation in Istanbul, 2004; Habillé - Deshabillé, a performance/video piece in Stockholm Moderna Museet and Saint-Brieuc, 2009; Sentimental at la Maison Revue Noire Paris, 2013.

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Featured Artworks

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Untitled I by Joël Andrianomearisoa contemporary artwork Joël AndrianomearisoaUntitled I, 2019 Textile and threads
50 x 40 cm
Sabrina Amrani Gallery
Labyrinth of the Present IV by Joël Andrianomearisoa contemporary artwork Joël AndrianomearisoaLabyrinth of the Present IV, 2019 Textile and threads
50 x 40 cm
Sabrina Amrani Gallery
Inventory of the present I by Joël Andrianomearisoa contemporary artwork Joël AndrianomearisoaInventory of the present I, 2019 Textile
40 x 30 cm
Sabrina Amrani Gallery
Icons of the present by Joël Andrianomearisoa contemporary artwork Joël AndrianomearisoaIcons of the present, 2019 Cotton rope, wood, printed textile, textiles, silk paper, metal lettering, flowers and found objects
360 x 12000 x 16000 cm
Sabrina Amrani Gallery
Cartography of Desire by Joël Andrianomearisoa contemporary artwork Joël AndrianomearisoaCartography of Desire, 2019 Bed line, silk paper and varnish
235 x 165 cm
Sabrina Amrani Gallery
Sentimental Negotiations Act XII by Joël Andrianomearisoa contemporary artwork Joël AndrianomearisoaSentimental Negotiations Act XII, 2012 Pocket mirrors and wood
170 x 310 cm
Sabrina Amrani Gallery
Tomorrow tomorrow by Joël Andrianomearisoa contemporary artwork Joël AndrianomearisoaTomorrow tomorrow, 2019 Textile, neon, empty space
360 x 1700 x 360 cm
Sabrina Amrani Gallery

Current & Recent Exhibitions

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Contemporary art exhibition, Joël Andrianomearisoa, Tomorrow, tomorrow. Those are words. You love flowers. How about tomorrow ? at Sabrina Amrani Gallery, Madrid
Open Now
13 April–27 July 2019 Joël Andrianomearisoa Tomorrow, tomorrow. Those are words. You love flowers. How about tomorrow ? Sabrina Amrani Gallery, Sallaberry, 52
Contemporary art exhibition, Group Exhibition, Ravelled Threads at Sean Kelly, New York
Closed
22 June–3 August 2018 Group Exhibition Ravelled Threads Sean Kelly, New York
Contemporary art exhibition, Joël Andrianomearisoa, Les saisons de mon coeur at Sabrina Amrani Gallery, Madrid
Closed
14 September–25 November 2017 Joël Andrianomearisoa Les saisons de mon coeur Sabrina Amrani Gallery, Madera, 23

Represented By

In Related Press

“Ravelled Threads” Brings Contemporary Perspectives to Traditions in African Cloth Related Press “Ravelled Threads” Brings Contemporary Perspectives to Traditions in African Cloth Art & Object : 26 June 2018

A powerful new exhibition at New York’s Sean Kelly Gallery, Ravelled Threads brings together work by ten African artists utilising fabric in different ways. Cloth has cultural and spiritual significance throughout Africa, with a long history of use in storytelling, historical record keeping, political activism, and cultural expression.

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Art served fresh, South Asian-style Related Press Art served fresh, South Asian-style BLink : 30 January 2017

The focus on South Asia appears to be an enduring one for the India Art Fair (IAF). In 2016, we saw a pronounced emphasis on Bangladesh and Nepal, and this year too we are going to see more art from these regions, as well as from Sri Lanka. This of course will be in addition to a strong presence of indigenous art from around India. Neha Kirpal is...

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"LO SENTIMENTAL ES UNA POSTURA Y UN ACTO POLÍTICO" Related Press "LO SENTIMENTAL ES UNA POSTURA Y UN ACTO POLÍTICO" Vanity Fair : 24 February 2016

Y nosotros entrevistamos a su ganador, el artista malgache Joël Andrianomearisoa, que ya ha instalado en la sala VIP de ARCO su pieza The Labyrinth of Passions.Cada año desde hace ya cuatro, en el contexto de ARCO se entrega el premio Audemars Piguet, dotado con 15.000 euros destinados a la producción de una obra artística. La obra se expone en la...

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