ANTHONY MCCALL

Occupying a space between sculpture, cinema and drawing, his work’s historical importance has been internationally recognized in such exhibitions as Into the Light: the Projected Image in American Art 1964-77 at the Whitney Museum of American Art, New York (2001—2002); The Expanded Screen: Actions and Installations of the Sixties and Seventies at the Museum Moderner Kunst, Vienna, Austria (2003—2004); The Expanded Eye at the Kunsthaus Zurich, Switzerland (2006); Beyond Cinema: the Art of Projection at Hamburger Bahnhof, Berlin, Germany (2006—2007); The Cinema Effect: Illusion, Reality and the Projected Image at the Hirshhorn Museum, Washington, DC (2008); The Geometry of Motion 1920s/1970s at the Museum of Modern Art, New York (2008); and On Line at the Museum of Modern Art, New York (2010—2011).

McCall’s work has also been exhibited at, amongst others, the Centre Georges Pompidou, Paris, France (2004); Tate Britain, London, England (2004); Institut d’Art Contemporain, Villeurbanne, France (2006); Musée de Rochechouart, France (2007); SFMoMA, San Francisco (2007); Serpentine Gallery, London, England (2007—2008); Hangar Bicocca, Milan, Italy (2009); Moderna Museet, Stockholm, Sweden (2009); Adam Art Gallery, Wellington, New Zealand (2010); Sprueth Magers/Ambika P3, London, England (2011); the Serralves Museum of Contemporary Art, Porto, Portugal (2011); the Hamburger Bahnhof, Berlin, Germany (2012); and the Faena Arts Center, Buenos Aires, Argentina (2013).

McCall’s work is represented in numerous collections, including, amongst others, Tate, London, England; Museum of Modern Art, New York; Museum für Moderne Kunst, Frankfurt, Germany; Museu d’Art Contemporani de Barcelona, Spain; Whitney Museum of American Art, New York; SFMoMA, San Francisco; the Centre Georges Pompidou, Paris, France; the Moderna Museet, Stockholm, Sweden; and the Hirshhorn, Washington, DC.

Anthony McCall lives and works in New York.

Courtesy Sean Kelly