Bernd and Hilla Becher met in 1959 and first exhibited together in 1963. The typologies for which they are now well known grew out of their expansive, impartial approach when they first started taking photographs of commonplace industrial buildings in post-War Germany and across Western Europe. After collating thousands of pictures of individual structures, they noticed that the various edifices—of cooling towers, gas tanks and coalbunkers, for instance—shared many distinctive formal qualities. Systematically photographing each structure from both a frontal and a three-quarter perspective, they examined them the way a biologist might look at a specimen collected during fieldwork, comparing and contrasting to organise them into groups, or species. Presented in grids, the typologies reveal the many forms that the buildings share, while at the same time each picture within the grid describes the unique details of each particular structure. The rigour and clarity of the Bechers’ methodology has influenced a generation of photographers and conceptual artists.
Bernd (1931—2007) and Hilla Becher (1934—2015) have exhibited widely since 1963. Solo exhibitions include National Museum Cardiff, Wales (2019), Josef Albers Museum, Quadrat Bottrop (2018), Photographic Collection/SK Stiftung Kultur, Cologne (2016, 2013, 2010, 2006), Museum of Modern Art, New York (2008), Nationalgalerie Hamburger Bahnhof, Berlin (2005), Centre Georges Pompidou, Paris (2004), K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf (2003) and 44th Venice Biennale (1990). Group exhibitions include Barbican Art Gallery, London (2014), Pinakothek der Moderne, Munich (2014, 2004), Museum of Modern Art, New York (2013), Guggenheim Museum, New York (2010), Nationalgalerie Hamburger Bahnhof, Berlin (2008), The National Museum of Modern Art, Tokyo (2005), UCLA Hammer Museum, Los Angeles (2004), Tate Modern, London (2004, 2003) and Documenta XI, VII, VI and V, Kassel (2002, 1982,1977, 1972).
Courtesy Sprüth Magers

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