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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements By Radha Mahendru, Dhaka

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Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough Ocula Insight
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Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough

At the freshly opened Winsing Art Place in Taipei, works by Vietnamese-Danish artist Danh Vo are being presented in Taiwan for the first time. In this video, the founder of Winsing Arts Foundation, Jenny Yeh, introduces Vo's exhibition.

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(1917 - 1983), Singapore

Cheong Soo Pieng Biography

With a practice that drew from diverse influences such as Chinese ink painting, modernist formalism, and post-Impressionism, Cheong Soo Pieng was known for his graphic lines and fluid movement inspired by his travels in Southeast Asia, and his affiliation with the development of the Nanyang Style.

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Cheong Soo Pieng began his formal art training at Xiamen Academy of Arts and Design in 1933 before continuing his studies at Xinhua Academy of Fine Art in Shanghai. Cheong combined these influences with the traditional Chinese art-making materials of ink and rice paper. However, the breakout of the Second Sino-Japanese War (1937–1945) and subsequent destruction of the school brought his education to a halt. Cheong returned to Xiamen where he taught and in 1942 held his first exhibition of watercolour paintings—a medium chosen partly due to the lack of oil paints after the war. Fleeing conscription in China, Cheong moved to Singapore in 1946 and became a lecturer at the Nanyang Academy of Fine Arts, practising in watercolours, oils and inks.

Along with fellow Chinese-Singaporean artists such as Liu Kang, Chen Wen Hsi and Chen Chong Swee, Cheong is recognised for pioneering the Nanyang Style of art—so named from the art school its proponents were associated with, and the Chinese word for 'south seas'. Many of his works created after a 1952 trip to Bali feature heavy, graphic-style lines and simplistic hues, as seen in the warm-hued watercolour Balinese Selling Toddy (1954) in which a seated seller of a Balinese alcoholic palm drink is depicted with elongated limbs. Sharp lines suspend the figure, straw umbrellas and toddy vessels from the flattened background.

Cheong's exploration of Southeast Asia is evident in other artworks such as the Chinese ink and gouache painting Tropical Life (1959). In the lively painting, a group of Malay people going about daily activities are rendered in simple, vivid-red forms. Warm yellow and brown tones allude to the heat of the day, while a glimpse of the turquoise sea is visible in the background. Bird cages swing from the building edges and green yam leaves poke up and around the scene. A similar treatment of the figure can also be seen in Cheong's sculptures such as Woman (1972), made of fired earthenware. Seated on a small bench and without distinguishable arms or hands, the woman's body and face are hollowed and concave, with just the shelf of her breasts protruding from her torso.

Cheong's passing in 1983 meant he didn't live to see his retrospective exhibition at the former National Museum Art Gallery in the same year. Before then, he received the Meritorious Service Medal in 1962, given to Singapore's most distinguished citizens. His expressive paintings were displayed in exhibitions including Four Artists to Bali at Singapore Art Society (1953) and Malaysian Art Exhibition at the National Art Gallery, Kuala Lumpur (1965). Solo exhibitions include Cheong Soo Pieng Retrospective Exhibition at the National Gallery Singapore (1967); Cheong Soo Pieng: A Centenary Celebration in Taiwan, organised by Asia Art Center, Taipei (2017); and Soo Pieng: Master of Composition at STPI, Singapore (2019).

Emma-Kate Wilson | Ocula | 2019

Cheong Soo Pieng Recent Exhibitions

Contemporary art exhibition, Cheong Soo Pieng, Soo Pieng: Master of Composition at STPI, Singapore
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19 January–14 March 2019 Cheong Soo Pieng Soo Pieng: Master of Composition STPI, Singapore

Cheong Soo Pieng In Related Press

Columnist: An insight into the life of Cheong Soo Pieng Related Press Columnist: An insight into the life of Cheong Soo Pieng 10 November 2017, Wang Zineng

The history of 20th century modern art is a history of reaction and revision, overcoming and superseding. Throughout the whole extent of their artistic careers, only a few artists can truly claim to possess and embody the totality of the spirit of modernism.

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'Reframing Modernism' at The National Gallery Singapore Related Press 'Reframing Modernism' at The National Gallery Singapore 16 April 2016, Whitewall

At the end of March, Reframing Modernism opened at the National Gallery Singapore, presented in partnership with the Centre Pompidou. The exhibition showcases work by Modernist Southeast Asian artists like Le Pho, Latiff Mohidin, Affandi, Georgette Chen, and H.R. Ocampo next to work by artists like Picasso, Matisse, and Kandinsky, placing the...

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7 things to know about Singapore pioneer artist Cheong Soo Pieng Related Press 7 things to know about Singapore pioneer artist Cheong Soo Pieng 30 November 2015, Straits Times

1. HE WAS AN "FT", FOREIGN TALENT Born in Amoy, China in 1917, he came to Singapore when he was 29. He had actually headed for Hong Kong first in 1945 after leaving China before coming to Singapore.

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In Art Exhibit, Singapore Honors a Son of China Related Press In Art Exhibit, Singapore Honors a Son of China 6 October 2010, New York Times

SINGAPORE — Drying Salted Fish , painted in 1978 by Cheong Soo Pieng and reproduced on the back of Singapore's 50-dollar note, is considered exemplary of the late artist's style. The elongated limbs and distinctive almond eyes of his subjects are part of the signature style that made him appreciated by collectors and are what he is...

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