Combining a simple, cartoonish style with hand-rendered text, David Shrigley's drawings, painting, sculptures, and installations extend a range of commentaries on the everyday, from satirical personal observations to political critique.Read More
Central to Shrigley's practice are his drawings, rendered in a crude doodle and often accompanied by short texts. 'Lockdown Drawings' (2020), which consists of more than 340 untitled ink drawings made during a COVID-19 lockdown, is representative of his characteristic wit. One drawing portrays an absurd but endearing situation of a dog confessing to bad behaviour ('I ate some of your clothes / I realise now that it was wrong'), while another, captioned 'cat watches your seizure', steers towards the acerbic.
In his works employing taxidermy animals, David Shrigley often explores the relationship between image and text to trigger a chain of associations. The headless Ostrich (2009), for example, recalls the related saying about burying one's head in the sand. In I'm Dead, a taxidermy dog (2010) or cat (2011) holds up a sign with the title of the work in an ironic play on the figure and semantics—speechless, animals rely on signs, but these signs only reveal that their bearers' ability to communicate has been severed.
The eccentricity of David Shrigley's drawings is also a feature of his paintings. During his residency at Two Rooms, Auckland, in 2015, the artist initiated the 'Sixteen paintings in sixteen days' project. It was the first time the artist had engaged with oil painting on stretched canvas since his graduation from The Glasgow School of Art in 1991. In his 2015 conversation with Ocula Magazine, Shrigley discussed the difference between painting and drawing, noting his complete freedom with the latter.
Obscuring distinctions between high and low art, Shrigley has dispersed his artworks in different forms. The artist's books of drawings feature titles such as Why We Got the Sack from the Museum (1998) and Ants Have Sex in Your Beer (2007), and offer outlandish, candid observations of the everyday. Really Good (2016)—a seven-metre-high sculpture created for the Fourth Plinth in Trafalgar Square—has been rendered as an animation, merchandise goods, and smaller sculptures.
David Shrigley was nominated for the 2013 Turner Prize for Brain Activity: a mid-career retrospective exhibition at London's Hayward Gallery. Lose Your Mind—a touring exhibition of his work organised by the British Council—was presented at six venues between 2015 and 2018, including the Centre of Contemporary Art, Christchurch; Santiago Museum of Contemporary Art; and the Power Station of Art, Shanghai. Shrigley was awarded an OBE for his services to the visual arts in 2020.
CLARITY: IT IS VERY IMPORTANT, Yumiko Chiba Associates, Tokyo (2020); Do Not Touch the Worms, Copenhagen Contemporary (2020); Fond Memories of Giant Bug, Jiri Svestka Gallery, Prague (2020); Fluff War, Anton Kern Gallery, New York (2019); Do it (do not do it), Museo de Arte Carrillo Gil, Mexico City (2019); Life and Life Drawing, National Gallery of Victoria, Melbourne (2014); Brain Activity, The Hayward Gallery, London (2012).
Animals in Art, Arken Museum of Modern Art, Denmark (2020); Lines from Scotland, St Andrews Museum, Scotland (2019); Playmode, Museum of Art, Architecture and Technology, Lisbon (2019); The Stage is Yours, Museum of Contemporary Art Kiasma and Finnish National Gallery, Helsinki (2019); Sweats & Tears, saasfee* pavillon, Berlin (2018); Takashi Murakami's Superflat Collection, Yokohama Museum of Art (2016); Devils in the Making, Gallery of Modern Art, Glasgow (2015).
Sherry Paik | Ocula | 2020
Sales of works on paper and illustrated face masks will support charities and struggling art institutions.
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Since its inauguration in 2005 it has grown consistently and organically into a multi-sector international event that in 2016 housed 147 exhibitors
The celebrated Glasgow-based artist David Shrigley has recently come to the end of a month-long international residency at Auckland’s Two Rooms gallery. The Turner Prize nominee is widely know for his simple, comic-style line drawings that explore the drolleries of everyday life. After working on an extensive survey show at the National...
Japanese artist Takashi Murakami’s artistic practice is expansive – spilling into fashion, film and other commercial areas. The artist turned to curating in the early 2000s, producing several projects, including Superflat (an exhibition that toured Nagoya Parco Gallery, Los Angeles Museum of Contemporary Art, Walker Art Center and Henry Art...
As his giant thumbs-up sculpture Really Good is unveiled in Trafalgar Square, David Shrigley explains how his work straddles art, graphics and cartoons. From a Scottish football mascot to a spoken-word album, the Turner Prize-nominee has refused to stick to any one creative discipline. His crude and distinctive hand drawings, which make...
David Shrigley’s Really Good sculpture will arrive on Trafalgar Square’s Fourth Plinth on 29 September 2016, the Mayor of London has announced.
“You’re on the right track if you’re excited about what you’re doing.” Artist David Shrigley, known for his humorous spin on common situations, here advises his young colleagues to be open to learning from mistakes and stresses that being an artist “isn’t for everybody.” David Shrigley was...