The practice of Doug Aitken is most widely recognised as immersive, collaborative and engaged with both the art world and the wider world. This approach results in works in a variety of media such as video, sculpture and photography.Read More
Aitken is perhaps best known for his 'nomadic happening', Station to Station (2013) in which he invited artists such as Olafur Eliasson, Patti Smith and Urs Fischer, amongst others, to participate in a cross-country nine-carriage train ride from New York to California, spontaneously collaborating to create art, food and music along the way. There were nine stops, and a 'happening' (an art-related performance event) occurred at each stop. The train was covered in LED screens; along the way a visual light installation continuously played. The project was intended as an alternative art experience. Instead of being held in a gallery or institution, the art travelled, grew and became a presence in every moment of the artist's life. In 2015, this event recreated itself at the Barbican Centre in the form of Station to Station: A 30 Day Happening. Described as a 'living exhibition', over its month-long existence it played host to more than 100 contemporary artists, musicians, dancers, filmmakers and designers.
In late 2016, during his solo exhibition Doug Aitken: Electric Earth (10 September 2016–15 January 2017) at The Museum of Contemporary Art, Los Angeles, Aitken installed Underwater Pavilions off the coast of Catalina Island, California. Underwater Pavilions consisted of three hexagon-shaped spheres submerged between five and 50 feet underwater. Viewers had to dive to view the work and could swim both in and around the spheres. The spheres contained panels sculpted from artificial rock and mirror. The mirrored surfaces induced a kaleidoscopic effect; in an interview with The New York Times Aitken remarked on the experience of this effect, 'I could see the ocean floor above me and the sun below me'. The objects' shiny and multifarious surfaces cause them to seem continuously in flux—affected by tides, sunlight, sun, fish and divers. Rather than sculptures or monuments, they are living things. The work is based on Aitken's philosophy that to make art living, one should immerse it in the real world and allow it to experience the flux of nature.
In 2017, Aitken participated in Desert X—the art biennial of Palm Springs, California, featuring 16 artists including Gabriel Kuri, Claudia Comte and Armando Lerma. For the event, Aitken created Mirage—a ranch-style home in Coachella Valley covered on every surface by mirrors. The ranch style of architecture was developed in the 1920s and 1930s by combining Frank Lloyd Wright's modernist architecture and traditional western ranches. After World War II, the style boomed and became a fixture of the Californian landscape. By turning the quintessential Californian architecture into a house of mirrors, Mirage may change with its surrounding nature—blending in but perhaps standing out even more so in the process. In the struggle between the natural and the artificial, the house plays on both sides. Aitken works with the materiality of the suburban west, illustrating the vast power of the landscape and the history of architecture's attempted encroachment upon it.
Casey Carsel | Ocula | 2017
The Ocula team present picks from Taipei Connections, an online platform launched by Ocula and Taipei Dangdai.
Taipei Connections seeks to build a bridge between galleries and collectors separated by COVID-19.
Fondazione Sandretto Re Rebaudengo in Guarene and Turin, together with the Madrid Fundación, are creating a new constellation; mapping out a new geography that concretely embodies an idea of Europe based on reciprocity—between places, communities, fields of knowledge and cultures.
With Frieze New York returning to Randall's Island Park from 4 to 6 May 2018, Ocula is on hand to offer a selection of exhibitions around the city, from Bushwick and the LES to Chelsea, Midtown and the Upper East Side. Exhibition view: Before the Fall: German and Austrian Art of the 1930s, Neue Galerie New York (8 March–28 May 2018)....
The very American art of Doug Aitken is, most of it anyway, at once transcendent and dangerously of the now. He is in that sense a pop artist proper. He is also able and agile in many medium and an assembler of performances (he has fantastic taste in musical collaborators) and creative happenings.
For two weeks in July, a mirrored sphere is taking flight above the eastern US coastline and western Berkshire mountains of Massachusetts. Reflecting back the sun, clouds, and natural surroundings, the nomadic piece of public art is Doug Aitken's response to many of the most beautiful places in Massachusetts protected by The Trustees of...
The project, called New Horizon, lifts off on 12 July at Long Point beach on Martha's Vineyard. Over the following 16 days, it will alight at the Farm Institute in Edgartown, the Holmes Reservation in Plymouth, the DeCordova Sculpture Park and Museum in Lincoln, the Castle Hill on the Crane Estate in Ipswich, the Naumkeag in Stockbridge and the...
Walkthrough of Doug Aitken Flags and Debris Regen Projects, Los Angeles 16 January–13 March, 2021
This specific constellation of five key works has been conceived for Victoria Miro Mayfair by Doug Aitken and deals with contemporary ideas of time through the use of sound, touch, light and reflectivity, with each work existing in a zone between abstraction and representation. At the core of the exhibition is Eyes closed, wide...