Dusti Bongé Biography

Born in 1903 in Biloxi, Mississippi, Dusti Bongé (nee Eunice Lyle Swetman) was the youngest of three children in a family that established The Peoples Bank. At age 19, after graduating from Mississippi's Blue Mountain College, she moved to Chicago to study acting, and in the 1920s, appeared on stage and in silent films in Chicago and New York.

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In 1928, she married artist Archie Bongé (1901–1936), a self-proclaimed 'Cowboy Painter,' who was schooled at the Art Institute of Chicago (AIC), the Philadelphia Academy of Fine Arts (PAFA), and the noted Art Students League of New York. It was Archie who encouraged her natural abilities as an artist, after she once drew him a 'picture' to make up for an argument. Their son Lyle was born a year later, in 1929, and the family moved to Biloxi in 1934 to afford Archie greater opportunity to focus on his art. Archie built a studio in their backyard. But, in 1936 he succumbed to ALS (Lou Gehrig's disease), leaving Dusti to fend for herself as a single mother.

While raising Lyle and grieving for Archie, Dusti turned to art, dedicating the next 50 years to her practice. Bongé initially exhibited in New Orleans and Biloxi. In 1939, her work was shown for the first time in New York at the Contemporary Arts Gallery. A few years later, in 1945, she was included in a group show at the Mortimer Brandt Gallery, which led to her meeting Betty Parsons. Bongé received increasing recognition once she joined the roster of the renowned Betty Parsons Gallery. In 1956, Bongé received her first solo exhibition at Parsons's gallery, placing her in a select group of artists that included Barnett Newman, Jackson Pollock, Robert Rauschenberg, Mark Rothko, Theodoros Stamos, Lee Krasner, Hedda Sterne, and Clyfford Still.

Bongé continued to show with Betty Parsons until 1975, maintaining a strong voice in the New York art scene for more than three decades. Bongé and Parsons also often travelled together and remained close friends until Parsons's death in 1982. And, although Dusti continuously traveled between the two cultural worlds of New York and the Gulf Coast throughout her career, her home base would always remain Biloxi, where she could pursue her work independently, and where she continued to produce new work until two years before her death in 1993.

Dusti Bongé
featured artworks

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Untitled (Black Abstract) by Dusti Bongé contemporary artwork works on paper, drawing
Dusti Bongé Untitled (Black Abstract), 1956 Ink on paperboard
66 x 31.8 cm
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Small World by Dusti Bongé contemporary artwork painting
Dusti Bongé Small World, 1957 Oil on canvas
106.7 x 66.4 cm
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#3 by Dusti Bongé contemporary artwork painting
Dusti Bongé #3, 1950–1952 Oil on canvas
50.8 x 40.6 cm
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Small World on Top of Small World (Songless Faces) by Dusti Bongé contemporary artwork painting
Dusti Bongé Small World on Top of Small World (Songless Faces), 1958 Painting
98.4 x 71.1 cm
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Hollis Taggart
The Lion Roars the Fiddle Plays and there is Dancing in the Sun by Dusti Bongé contemporary artwork painting, works on paper
Dusti Bongé The Lion Roars the Fiddle Plays and there is Dancing in the Sun, 1955 Oil on Masonite
182.9 x 121.9 cm
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Hollis Taggart
Whirlpool by Dusti Bongé contemporary artwork painting
Dusti Bongé Whirlpool, 1956 Oil on canvas
98.4 x 66 cm
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Hollis Taggart
Untitled (White, Yellow and Black Abstract) by Dusti Bongé contemporary artwork painting
Dusti Bongé Untitled (White, Yellow and Black Abstract), c. 1956 Oil on masonite
91.4 x 121.9 cm
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Hollis Taggart
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Dusti Bongé
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