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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements By Radha Mahendru, Dhaka

Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.

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Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough Ocula Insight
Sponsored Content | Winsing Art Foundation
Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough

At the freshly opened Winsing Art Place in Taipei, works by Vietnamese-Danish artist Danh Vo are being presented in Taiwan for the first time. In this video, the founder of Winsing Arts Foundation, Jenny Yeh, introduces Vo's exhibition.

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b. 1958, USA

Henry Taylor Ocula Magazine

EXPO Chicago Sets the Scene for 2020 Ocula Report EXPO Chicago Sets the Scene for 2020 By Stephanie Bailey, Chicago

'Where Will You Be in 1933?' was the official song of the 1933 Chicago World's Fair—a buoyant ditty written in 1932 to promote an exposition celebrating Chicago's centennial during the Great Depression. On 18 September 2019, it was performed at the Chicago Symphony Center as part of Samson Young: World Fair Music . The performance extended...

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Dismantling the show: the 2017 Whitney Biennial Ocula Report Dismantling the show: the 2017 Whitney Biennial By Daniella Rose King, New York

Inaugurated in 1932, the Whitney Biennial is the United States' longest running survey of contemporary American art. As with many of its predecessors, the 2017 Whitney Biennial (17 March–11 June 2017) was controversial. The textures of this particular furor are strikingly similar to those incurred in the last Whitney Biennial, held in 2014. In...

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