Ileana García Magoda’s works explore what she calls “the inherent paradox of plant life”—its fragility, yet also its strength. The Mexican artist has the congenital spinal condition Occult Spinal Dysraphism and for her, the act of painting is a way of visualising her chronic pain. García Magoda paints in bright acrylics, translating her somatic sensation into colour.
Born in Mexico City in 1985 to a textile-engineer father and a seamstress mother, Ileana García Magoda studied Graphic Design at the National Autonomous University of Mexico in Mexico City between 2003–2008. She has had Occult Spinal Dysraphism her whole life, which influences her artistic practice, both in terms of considering how the skin absorbs light and also how the repetitive movements of painting become a way of translating her pain into artwork. Before concentrating solely on painting, García Magoda had a successful career as an electronic music artist, recording under the name Smurphy.
Characterised by their bright colour palette, Ileana García Magoda’s paintings of nature initially appear beautifully dreamlike, but closer inspection reveals imperfection, asking viewers to consider the reality of tensions between idealised botanical shapes and the vulnerability of nature. Flowers, plants and leaves provide García Magoda with a structure for consideration of transformation, resilience and how we inhabit bodies with vulnerabilities. García Magoda’s artistic routine is influenced by her congenital spinal condition: she paints in short sessions to avoid hurting her back and also practices yoga before painting.
García Magoda is heavily influenced by her surroundings: her studio overlooks a forest and she works in her garden tending plants. She has said that touching soil has given her “clarity” and that while she may not know the names of individual plants, she notices their detail and the space they occupy.
Although primarily known for painting in vibrant acrylics, García Magoda has said that she also enjoys working with raw fabric, cotton and linen. She prefers raw canvas to pre-primed canvas. García Magoda also loves ceramics, but has said that she finds clay limiting when it hardens, so instead she has experimented with papier-mâche.
Ileana García Magoda has Occult Spinal Dysraphism, a congenital spinal condition. Her chronic pain is intertwined with her artistic practice: her works consider transformation and resilience. The vibrant flora and fauna that appear in her artworks highlight the delicate balance of life.
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