Ione Saldanha started producing in the 1950s, where urban scenes and portraits were recurrent themes, featuring geometrised figures that soon evolved toward abstraction. In the late 1960s, she expanded her field of experimentation, painting on supports such as slats, spools (wooden bobbins for electrical cables) and bamboo, through which she engaged in chromatic play, creating elegant and sober compositions that contrast with the rustic nature of the materials .
She participated in several editions of the São Paulo International Biennial, receiving an acquisition prize in 1967, and a dedicated room in 1975 and 1979. In the year of her death, the retrospective Ione Saldanha e a Simplicidade da Cor (Ione Saldanha and the Simplicity of Color) was held at the Museum of Contemporary Art in Niterói (MAC/Niterói).
Text courtesy Almeida & Dale

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services