Delicately and elegantly constructed, Swedish artist Jockum Nordström's collages, watercolors, graphite drawings, and architectural sculptures feel improvisational and spontaneous, yet rich in detail. His works on paper, in particular, read like storyboards, and he has often referred to them as "stills," where all the action takes place simultaneously within a frozen frame. His imaginative tableaux-like environments appear as fantastical settings populated with unique figures, animals, architecture, furniture, musical instruments, and other props, all varying in scale and composition. Demonstrating his innovative approach to illustration and his distinctive choice in subject matter, his works feature an assorted cast of characters, seemingly pulled from different eras, and frequently employ unusual horizontal or vertical formats that recall the sequential arrangement of comic books and filmstrips.Read More
Nordström was born in 1963 in Stockholm, where he continues to live and work. In 2000, the artist joined David Zwirner, where he had his first United States solo show that same year, marking the first of five at the gallery in New York. For the insects and the hounds marked Nordström's first solo show at the gallery in London, showcasing new works on paper and sculptures, on view November 28, 2014 through January 24, 2015.
The presentation at David Zwirner follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city. Other recent solo shows include those organized by the Swedish Institute, Paris, 2011; Douglas Hyde Gallery, Dublin, 2010; and Moderna Museet, Stockholm, 2005.
Work by the artist is represented in museum collections that include Centre Georges Pompidou, Paris; Cleveland Museum of Art, Ohio; Göteborgs Konstmuseum, Gothenburg, Sweden; Hammer Museum, Los Angeles; Magasin 3 Stockholm Konsthall; Moderna Museet, Stockholm; The Museum of Modern Art, New York; Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; Västerås Konstmuseum, Sweden; and the Weatherspoon Art Museum, The University of North Carolina at Greensboro.
Text courtesy David Zwirner.
The scene: the hall of a wood-floored house, somewhere in the past, with overtones of Strindberg or Ibsen. A handkerchief dangles wet and heavy from the edge of a table as if someone had drenched it with tears. The pictures on the walls are all blank, there is no obvious source of light and the empty mirror is sightless. A man in a topcoat with a...