Ocula MagazineContentsView All
Featured ContentView All
Taloi Havini: Reclaiming Space and History Latest Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

Fade out copy.
Read More
Sydney Biennale Connects Here with Everywhere Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

Fade out copy.
Read More
Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

Fade out copy.
Read More
HomePage Artists

b. 1962, Sweden

Mamma Andersson Biography

Born 1962 in Luleå, Sweden, Andersson studied at the Royal University College of Fine Arts, Stockholm, from 1986 to 1993. Inspired by filmic imagery, theatre sets, and period interiors, Karin Mamma Andersson‘s compositions are often dreamlike and expressive. While stylistic references include turn-of-the-century Nordic figurative painting, folk art, and local or contemporary vernacular, her evocative use of pictorial space and her juxtapositions of thick paint and textured washes is uniquely her own. Her subject matter revolves around evocative, melancholic landscapes and nondescript, private interiors.

Read More

In 2011, Andersson’s work was the subject of a solo exhibition at the Museum Haus Esters in Krefeld, Germany. She had her first museum solo exhibition in the United States at the Aspen Art Museum, Colorado, in 2010, and her first solo exhibition in Ireland at the Douglas Hyde Gallery, Dublin, in 2009. In 2007, she was the subject of a critically acclaimed, mid-career survey at the Moderna Museet, Stockholm, which traveled to the Kunsthalle Helsinki and the Camden Arts Centre, London.

Work by the artist has been included in a number of recent group exhibitions, including the Scandinavia House, New York (2011); Magasin 3 Stockholm Konsthall (2010); Nationalmuseum, Stockholm (2009); Museum of Contemporary Art, Los Angeles; and the Kunstmuseum Thun, Switzerland (both 2008). In 2006, the artist won the Carnegie Art Award, a prestigious prize for Nordic contemporary painting, which received a corresponding exhibition that traveled extensively throughout Europe. Her work was represented in the Nordic Pavilion at the 50th Venice Biennale (2003).

Andersson’s works are included in prominent collections internationally, including the Dallas Museum of Art; Hammer Museum, Los Angeles; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; and the Moderna Museet, Stockholm. She lives and works in Stockholm.

Exhibition view: Mamma Andersson, The Lost Paradise, David Zwirner, 19th Street, New York (4 March–11 April 2020). Courtesy David Zwirner.

Mamma Andersson Featured Artworks

View All (14)
Solo by Mamma Andersson contemporary artwork
Mamma AnderssonSolo, 2019Oil and acrylic on canvas
31 1/2 x 41 3/8 inches
David Zwirner Enquire about this work
Last Waltz by Mamma Andersson contemporary artwork
Mamma AnderssonLast Waltz, 2020Oil and acrylic on canvas
66 1/8 x 89 3/4 inches
David Zwirner Enquire about this work
Silent Dawn by Mamma Andersson contemporary artwork
Mamma AnderssonSilent Dawn, 2019Oil and acrylic on canvas
37 5/8 x 57 1/8 inches
David Zwirner Enquire about this work
Pull My Daisy by Mamma Andersson contemporary artwork
Mamma AnderssonPull My Daisy, 2018Oil and acrylic on canvas
35 5/8 x 46 1/2 inches
David Zwirner Enquire about this work
Youngster by Mamma Andersson contemporary artwork
Mamma AnderssonYoungster, 2018Oil and acrylic on canvas
46 1/2 x 35 3/8 inches
David Zwirner Enquire about this work
Wood Cut by Mamma Andersson contemporary artwork
Mamma AnderssonWood Cut, 2019Oil and acrylic on canvas
90 x 66 1/8 inches
David Zwirner Enquire about this work
The Lost Paradise III by Mamma Andersson contemporary artwork
Mamma AnderssonThe Lost Paradise III, 2020Oil and acrylic on canvas
41 1/2 x 31 5/8 inches
David Zwirner Enquire about this work
Sister Without Sun by Mamma Andersson contemporary artwork
Mamma AnderssonSister Without Sun, 2018Oil and acrylic on canvas
37 3/8 x 57 1/8 inches
David Zwirner Enquire about this work

Mamma Andersson Current & Recent Exhibitions

Contemporary art exhibition, Mamma Andersson, The Lost Paradise at David Zwirner, New York
Closing Soon
4 March–11 April 2020 Mamma Andersson The Lost Paradise David Zwirner, 19th Street, New York
Contemporary art exhibition, Group Exhibition, On Painting: Art Basel Online at David Zwirner, New York
Closed
20–25 March 2020 Group Exhibition On Painting: Art Basel Online David Zwirner, Online Only
Contemporary art exhibition, Group Exhibition, House Work at Victoria Miro, London
Closed
25 January–18 March 2017 Group Exhibition House Work Victoria Miro, Mayfair, London

Mamma Andersson Represented By

Mamma Andersson In Ocula Magazine

Armory Week Lowdown: Art Shows to See Ocula Report Armory Week Lowdown: Art Shows to See By Casey Carsel, New York

After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.

Fade out copy.
Read More

Mamma Andersson In Related Press

Private Territories: Room and House Work Related Press Private Territories: Room and House Work 2 March 2017, The Quietus

In The Poetics of Space , first translated into English in 1964, Gaston Bachelard wrote: 'a house that has been experienced is not an inert box. Inhabited space transcends geometrical space.' This seminal phenomenological study investigates the significance of intimate spaces which govern our dreams and emotions. Bachelard scrutinises the rooms...

Fade out copy.
Read More
Mamma Andersson: Crepuscular Studies Of The Everyday Related Press Mamma Andersson: Crepuscular Studies Of The Everyday 18 January 2015, Durga Chew-Bose for The Guardian / 8 January 2015

Nine women converge at a table. Most are wearing black, their bodies disappearing into the intimacy of friendship, of a figureless shape. One is sipping tea, and another is smoking a cigarette. Behind them, a tawny-brown curtain is half-drawn and falls floor to ceiling. Adjacent to it, four paintings hang arbitrarily on a wall. One is a portrait of...

Fade out copy.
Read More

Be among the first to know when new artworks and exhibitions by Mamma Andersson are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook