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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Frieze Week Lowdown: London Shows to See Ocula Report Frieze Week Lowdown: London Shows to See 20 Sep 2019 : Tessa Moldan for Ocula

London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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Browse Artworks

Untitled (Girl in Mirror) II by Jose Dávila contemporary artwork
Jose DávilaUntitled (Girl in Mirror) II, 2019 Archival pigment print
150 x 150 cm
Sean Kelly
Homage to the Square by Jose Dávila contemporary artwork
Jose DávilaHomage to the Square, 2019 Glass and vinyl paint
219 x 250 x 38.4 cm
Galería OMR
Completed Cycle by Jose Dávila contemporary artwork
Jose DávilaCompleted Cycle, 2019 Glass sphere and sand
70 x 110 cm
Galería OMR
Untitled (Peacock) by Jose Dávila contemporary artwork
Jose DávilaUntitled (Peacock), 2018 Archival pigment print
146.1 x 181.6 cm
Sean Kelly
Untitled by Jose Dávila contemporary artwork
Jose DávilaUntitled, 2018 Concrete volumes, boulder and epoxy paint
135.5 x 65.5 x 62.5 cm
Galería OMR
The most famous problem in the history of mathematics is that of squaring the circle IV by Jose Dávila contemporary artwork
Jose DávilaThe most famous problem in the history of mathematics is that of squaring the circle IV, 2019 Silkscreen print and acrylic paint on loomstate linen
260 x 300 x 6 cm
Galería OMR
Orden Discontinuo LXIII by Jose Dávila contemporary artwork
Jose DávilaOrden Discontinuo LXIII, 2019 Silkscreen print on cardboard
49.8 x 40.9 x 4.5 cm
Galería OMR
Untitled (Interior with Mirror) by Jose Dávila contemporary artwork
Jose DávilaUntitled (Interior with Mirror), 2019 Archival pigment print
155 x 195 x 8 cm
Galería OMR
Panopticon XV by Jose Dávila contemporary artwork
Jose DávilaPanopticon XV, 2018 Concrete volumes, metal, Black Universe marble, plaster, volcanic rock, and glass sphere
255 x 50 x 60 cm
Galería OMR
Divisions of the internal space by Jose Dávila contemporary artwork
Jose DávilaDivisions of the internal space, 2018 Acrylic paint on loomstate linen
218 x 350 x 6 cm
Galería OMR
Orden Discontinuo LV by Jose Dávila contemporary artwork
Jose DávilaOrden Discontinuo LV, 2019 Silkscreen print on cardboard
72.1 x 53.2 x 4.5 cm
Galería OMR
Panopticon XII by Jose Dávila contemporary artwork
Jose DávilaPanopticon XII, 2018 Concrete volumes, Black Universe marble, enamelled bricks, metal structure, plaster and glass sphere
255 x 80 x 60 cm
Galería OMR
Panopticon XIII by Jose Dávila contemporary artwork
Jose DávilaPanopticon XIII, 2018 Concrete volumes, clay pots, plaster, metal and glass sphere
240 x 45 x 45 cm
Sold
Galería OMR
Untitled (Femme couchée) by Jose Dávila contemporary artwork
Jose DávilaUntitled (Femme couchée), 2018 Archival pigment print
151 x 199 x 8 cm
Galería OMR
Untitled (Large Reclining Nude) by Jose Dávila contemporary artwork
Jose DávilaUntitled (Large Reclining Nude), 2018 Archival pigment print
150 x 208 x 8 cm
Galería OMR
Untitled (Orange Under Table) II by Jose Dávila contemporary artwork
Jose DávilaUntitled (Orange Under Table) II, 2018 Archival pigment print
184.6 x 148 x 8 cm
Galería OMR
Topologies of projection by Jose Dávila contemporary artwork
Jose DávilaTopologies of projection, 2018 Archival pigment print
208 x 222 cm
Galería OMR
Fundamental Concern I by Jose Dávila contemporary artwork
Jose DávilaFundamental Concern I, 2018 San Andrés stone volumes, concrete board volume, plaster, volcanic rock and ratchet strap
215 x 58 x 46 cm
Sean Kelly
The Act of Perseverance IV by Jose Dávila contemporary artwork
Jose DávilaThe Act of Perseverance IV, 2018 San Andres stone volume, rock, and ratchet strap
175 x 80 x 40 cm
Galería OMR
Untitled (maquette for Eppur si Muove) by Jose Dávila contemporary artwork
Jose DávilaUntitled (maquette for Eppur si Muove), 2018 Archival pigment print
61 x 41 cm
Sean Kelly
Untitled (Black Widow) by Jose Dávila contemporary artwork
Jose DávilaUntitled (Black Widow), 2018 Archival pigment print
148 x 103 cm
Sean Kelly
Untitled (Gamma) by Jose Dávila contemporary artwork
Jose DávilaUntitled (Gamma), 2018 Archival pigment print
131 x 186 cm
Sean Kelly
Untitled (Femme assise à l'abécédaire) by Jose Dávila contemporary artwork
Jose DávilaUntitled (Femme assise à l'abécédaire), 2018 Archival pigment print
171 x 136 cm
Sean Kelly
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