(1942 – 2021), USA

Lawrence Weiner Artworks

Lawrence Weiner's text-based installations and works on paper typically show the phrases and sentences described in their titles, which range from instructions to enigmatic observations. Weiner described his works as 'language + the materials referred to', emphasising the role of language as a material for construction in his practice.

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Declaration of Intent

In 1964, Weiner began exhibiting with Seth Siegelaub's gallery in New York City, a relationship that witnessed a number of significant developments in his practice.

These include A series of stakes set in the ground at regular intervals to form a rectangle with twine strung from stake to stake to demark a grid—a rectangle, removed from this rectangle, an outdoor installation presented as part of an exhibition Siegelaub organised at Windham College in Putney, Vermont in 1968. The work was constructed in a field used by football players, who unknowingly cut down the twine; instead of viewing the incident as a destruction of his piece, however, Weiner decided that the description of the artwork—in the title—could provide the viewer with an adequate experience of the artwork.

Viewership

Following A series of stakes, Weiner continued to use text in place of the art object to create artworks. Statements (1968), an artist's book published by Siegelaub, contains 24 text-based pieces including Declaration of Intent, which laid out the principles of his subsequent works and became influential in Conceptual art.

According to the declaration, 'the artist may construct the piece', but 'the piece need not be built'. In this scenario, the artist does not necessarily create the artwork; it is the viewer who may assume that responsibility. Many of Weiner's text-based works are indeed instructions for a process, such as Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects (1982), in which capitalised letters in blue appear diagonally across white background, framed by black lines.

Experimental Film and Video

Weiner also worked with film, which he considered to be a collaborative practice, as the artist revealed in his 2020 conversation with musician and friend Kim Gordon. His collaborators include director Kathryn Bigelow, whom he first worked with in the 1970s, as well as Michael Oblowitz and Gerrit Hilhorst.

Like his text-based works, Weiner's films and videos subvert the conventions associated with the film-viewing experience. Done To (1974), for example, a short film produced with Bigelow, contrasts footage of a woman's face and two women sitting side by side with an audio track consisting of a conversational female voice and strict, almost robotic male and female voices, preventing the viewer from constructing a cohesive narrative from the work.

Browse Artworks
ATTACHED BY EBB & FLOW by Lawrence Weiner contemporary artwork mixed media
Lawrence Weiner ATTACHED BY EBB & FLOW, 2019 LANGUAGE + THE MATERIALS REFERRED TO
Marian Goodman Gallery Contact Gallery
2019 by Lawrence Weiner contemporary artwork painting, works on paper, print
Lawrence Weiner 2019, 2019 Mixed media on archival paper
48.5 x 61 cm
Kerlin Gallery Contact Gallery
PUT WITH THE OTHER THINGS by Lawrence Weiner contemporary artwork sculpture
Lawrence Weiner PUT WITH THE OTHER THINGS, 2020 Language + the materials referred to
Kerlin Gallery Contact Gallery
IN LINE WITH SOMETHING ELSE by Lawrence Weiner contemporary artwork sculpture
Lawrence Weiner IN LINE WITH SOMETHING ELSE, 2020 Language + the materials referred to
Kerlin Gallery Contact Gallery
ISLANDS IN THE STORM by Lawrence Weiner contemporary artwork print
Lawrence Weiner ISLANDS IN THE STORM, 1990 4 sheets; photogravure, etching, aquatint, and softground on Chine collé, mounted on Somerset paper
Marian Goodman Gallery Contact Gallery
AFTER CROSSING THE RIVER by Lawrence Weiner contemporary artwork installation
Lawrence Weiner AFTER CROSSING THE RIVER, 2011 LANGUAGE + THE MATERIALS REFERRED TO
Marian Goodman Gallery Contact Gallery
Unter den Linden—Under Lime Trees, 1994 (For Parkett 42) by Lawrence Weiner contemporary artwork mixed media
Lawrence Weiner Unter den Linden—Under Lime Trees, 1994 (For Parkett 42), 1994 Rubber stamp with red ink pad in silkscreened card-board box
Parkett Contact Gallery
NITER & BRIMSTONE KEPT APART by Lawrence Weiner contemporary artwork mixed media
Lawrence Weiner NITER & BRIMSTONE KEPT APART, 1992 LANGUAGE + THE MATERIALS REFERRED TO
Marian Goodman Gallery Contact Gallery
Lo & Behold: Pearls and Pigs by Lawrence Weiner contemporary artwork print
Lawrence Weiner Lo & Behold: Pearls and Pigs, 2006 Solid copper plate
18 x 36 x 0.25 inches
Beyer Projects Contact Gallery
PENDING RESOLVE by Lawrence Weiner contemporary artwork mixed media
Lawrence Weiner PENDING RESOLVE, 2011/2012 Triptych; faber-castell pencil, gouache, inkjet on folded pasted archival paper
Marian Goodman Gallery Contact Gallery
FRESH WATER (LOOKING TOWARD THE MONT) by Lawrence Weiner contemporary artwork works on paper
Lawrence Weiner FRESH WATER (LOOKING TOWARD THE MONT), 2017 Pasted folded inkjet, faber castel-pencil & Gouache on folded archival paper

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Taro Nasu
AT THE MOMENT OF SUSPENSION by Lawrence Weiner contemporary artwork installation
Lawrence Weiner AT THE MOMENT OF SUSPENSION, 2018 Language and the materials referred to
Taro Nasu Contact Gallery
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