MASAOMI YASUNAGA

While pottery is typically formed from clay, fired in a kiln and sealed with a finishing coat of glaze, Yasunaga adopts glaze as the primary material from which to build his sculptural works. Combined with unique raw materials such as feldspars, whole rocks, metal or glass powders, Yasunaga’s forms are buried in various strata of sand or kaolin (unrefined porcelain clay) to preserve their structure in the firing stage. After cooling, Yasunaga’s sculptures are excavated from their beds in a studio process analogous to archaeological excavation and discovery. The yielded objects appear honed and shaped by earthly elements over centuries, some whole and others curiously fragmented. Aesthetically, these sculptures are simultaneously primitive and contemporary; objects of human culture which appear as if lost and found, seeming to confirm the supremacy of nature’s order over the world of mankind.

Yasunaga (born 1982) lives and works in Iga-shi, Mie Prefecture, Japan. He has a Masters Degree in Environmental Design from Osaka Sangyo University. Recent solo exhibitions include Masaomi Yasunaga at Lisson Gallery, East Hampton, NY, USA (2021); Empty Parade at wad Café, Osaka, Japan (2020); To things that exist, to things that don’t exist at gallery YDS, Kyoto, Japan (2020); Empty Landscape at Libby Leshgold Gallery, Vancouver, Canada (2020); Masaomi Yasunaga at Nonaka-Hill, Los Angeles, CA, USA (2019); Masaomi Yasunaga: A Shadow of the Eternity at Utsuwakan, Kyoto, Japan (2019); Memory of Orient at Gallery Utsuwa Note, Kawagoe, Saitama, Japan (2018); Masaomi Yasunaga Exhibition at Garb Domingo, Okinawa, Japan (2017); and arid landscapes at pramata, Tokyo, Japan (2017). Selected group exhibitions include Sterling Ruby and Masaomi Yasunaga at Nonaka- Hill, Los Angeles, CA, USA. His work is included in the permanent collections of the Ariana Museum, Geneva, Switzerland and The Museum of Fine Arts, Houston, TX, USA.

Courtesy Lisson Gallery